Greeting programs! Join us this week as we discuss the upcoming Netflix animated film The Sea Beast, directed by Chris Williams and starring Karl Urban and Jared Harris, and the recently concluded Obi-Wan Kenobi series from Disney+.
There are streaming links powered by JustWatch a little further down this page, and the episode should be live wherever you listen to podcasts (including on this page) now.
Continue reading “Podcast: The Sea Beast & Obi-Wan Kenobi”
Greeting programs, and welcome to the Awesome Friday Podcast. This week we’re taking a closer look at the new ridiculous (in a good way) Roland Emmerich film Moonfall and the Rhys Darby and Taika Waititi led series Our Flag Means Death. Spoiler alert we loved both of these things, so come and join us for a love fest.
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Greetings programs and welcome back to the Awesome Friday Podcast. This week is a little different than most weeks, instead of two things we are covering a whole bunch of things in a grab bag format. There have just been too many things to narrow it down you see, so join us for brief discussions about The 94th Oscars and the slap heard ‘around the world, Halo, Marvel’s Moon Knight, and the films of the Canadian Film Festival.
There are streaming links for the films and series discussed here on this page, and the episode is live wherever you listen to podcasts (including an embedded player also on this page). Join us!
Continue reading “Podcast Grab Bag: The Oscars, Moon Knight, Halo, & The Canadian Film Festival”
Comics are weird. There’s no denying this simple fact, and there’s no use trying. This fact is universal and can be a barrier to entry for new fans. Sometimes 50 years of lore is a lot to wrap your head around. One of the great strengths of Marvel’s ongoing cinematic universe is that initially, at least, it distilled all that lore into something easier to swallow. Twenty-plus films later, its greatest strength is that when a new character walks onto the screen and says, “I’m a man with split personalities, one of whom in the warrior avatar of the Egyptian moon god Khonshu and I’m here to punish the wicked” most people’s reaction will be “sure, that makes sense.”
Of course, this can also be a flaw –as it is with Marvel’s latest series– in which there is so little explanation that there is almost no reason to care. There is no trial by which Oscar Isaac’s Marc Spectre obtained his powers or much in explaining his back story; he walks on-screen fully formed. Well, half-formed, because if you glossed over it in the previous paragraph, this is a man with multiple identities. This show is, in a word, a lot.
Being a lot isn’t necessarily a deal-breaker, but while there are many things to love in this series, there are just as many that make it a complicated watch.
Continue reading “Marvel’s Moon Knight is a bit disjointed”
On this week’s podcast, we take a closer look at the hit AppleTV+ comedy The Afterparty and the upcoming Disney+ drama The Dropout.
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Greetings programs! This week on the Awesome Friday Podcast, we talk about two new series, both from Disney. First up is The Book of Boba Fett, which has aired five episodes and is struggling to figure out precisely what it wants to be. Next, Pam & Tommy, the upcoming miniseries starring Lily James, Sebastian Stan, and Seth Rogen, depicts a specific moment in 90s pop culture with staggering accuracy and honestly.
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Greetings programs and welcome to the first Awesome Friday Movie Podcast episode of 2022! In this episode we take a look back over some of our favourites from the year past. Join us!
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Because why have three lists when you can squash them into a single post. Enjoy!
Continue reading “Simon’s Best Movies, TV and Games of 2021”
Greetings programs and welcome to another edition of the Awesome Friday Movie Podcast. This week Matthew and Simon are taking a look at the new season of Netflix’s The Witcher and Steven Spielberg’s remake of West Side Story.
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Let me begin this by saying that I enjoyed the first season of The Witcher. Some were put off by the multiple timelines and Geralt’s absence from some of the stories, but I was not one of them. If you were, you will be happy to know that the entire second season takes place in a single timeframe and that Geralt’s story is the main plot of every episode. On the other hand, if you were like me, well, you already like the show, and you’ll continue enjoying it because it’s good.
Continue reading “Review: ‘The Witcher Season 2’ is a cool, confident continuation and improvement of the story that began in season one”
Greetings, programs, and welcome to the 18th edition of the Awesome Friday Movie Podcast! This week we’re talking about The Humans, an adaptation of a Tony Award-winning play with an all-star cast, and Hawkeye, the latest entry in the Marvel Cinematic Universe. Join us!
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The main complaint about Clint Barton’s Hawkeye as a character, at least when it comes to the MCU version, is that he’s boring. I’ve never quite thought that myself, but it’s easy to see where it comes from: he’s a spy that shoots good, and in most of the films, that’s kind of all he is.
What the new Disney+ series Hawkeye proposes is: what if that’s ok?
Continue reading “Review: ‘Hawkeye’ premiere episodes are lighthearted fun”
It isn’t an understatement to say that the 1998 anime series Cowboy Bebop, directed by Shinichirō Watanabe, written by Keiko Nobumoto, and scored by Yoko Kanno, is a masterpiece. Binding together influences from around our world, in particular noir thrillers like The Big Sleep, westerns like The Good, The Bad, and the Ugly, and science fiction classics like 2001: A Space Odyssey, it became a gateway anime for many –including myself.
Its 26-episode (and one movie) run is far more approachable than most anime series. Despite its near-flung future setting –where the earth is ruined, and the solar system colonized–, Cowboy Bebop became a stone-cold classic of the genre that holds up to this day.
It’s only natural that someone would want to remake it as a live-action series; the only surprise here is how long it took to do so. With such an intricate world and iconic characters, adapting it was never going to be easy. Still, while Netflix has wrangled a promising cast and put a ton of money into re-creating the future of the anime series, they managed to miss the mark.
Continue reading “Review: ‘Cowboy Bebop’ recreates the look, but not the feel, of the classic anime series it’s based on”
As one of the most well-regarded anime series of all time, the live-action remake coming to Netflix is highly anticipated. The trailers show promise, but the original has a certain style and charm that will be difficult to replicate, but I am choosing to remain hopeful.
Either way, whether it’s time for a re-watch or if you’ve never seen it, now is a perfect time to revisit the anime series as well as the animated film they made a few years later.
Continue reading “Home Video: Buy, Rent, or Stream Cowboy Bebop ahead of its live-action remake”
How does one end up in a cult? It’s a question we’ve all asked ourselves at some point. How does someone end up entirely under the sway of another person’s will? The Shrink Next Door can’t answer that question for everyone, but it can answer it for Marty Markowitz, a successful but anxiety-ridden new york businessman who ended up in the thrall of his psychiatrist for nearly thirty years.
As with many shows that are based on real-life, the story is almost too much to be believed. Markowitz (played by Will Ferrell), struggling with his business and an ex-girlfriend, seeks therapy from Dr Isaac “Ike” Herschkopf (Paul Rudd). Herschkopf’s methods immediately stand out as skirting the line of professional ethics –he literally tells off the ex-girlfriend, in person, while Marty stands there nearly helpless– but Marty is enamoured. “People take advantage of you,” Herschkopf says, “but not anymore. I am going to take care of you.”
It wouldn’t be a series of things didn’t get weird. These eight episodes of television chronicle just how deeply Herschkopf ingratiated himself into Marty’s life, and serve to showcase excellent performances from stars Paul Rudd and Will Ferrell.
Continue reading “Review: ‘The Shrink Next Door’ is a showcase for Paul Rudd and Will Ferrell”