Our history is littered with stories of great men and women, figures that are larger than life and did incredible things. Being Canadian, most of the stories feature people from either Great Britain or France, but there were many nations of indigenous peoples here well before any colonists showed up. Tzouhalem tells the story of a larger than life figure on what we now call Vancouver Island, a warrior chief who was both a great man and a monster.
Hello! Welcome to the new Awesome Friday Games Podcast!
This is a new weekly dive into a new game and a classic title from the archives, and pairs beautifully with our movie podcast like Laphroaig and parmesan. As someone who has very little time to play anything these days, I’m always interested in what catches my attention, so I’m looking forward to sharing that with you.
Grief is a complex emotion and one that requires time and energy to process properly. Yet, for many, there needs to be an outlet, some creative space or activity that allows one to examine their feelings in a removed but still direct manner. This is the premise of The Souvenir Part II. In a landscape of blockbuster franchises and a dwindling market for low and mid-budget dramas, this film already feels like a minor miracle: the sequel to a 2019 semi-autobiographical character study of a young woman in love with a toxic partner, Part II picks up immediately where The Souvenir left off and takes a deeper and more thoughtful dive into writer-director Joanna Hogg’s past.
Next week sees the release of Steven Spielberg’s remake of West Side Story. Following the release of In the Heights and Tick, Tick… Boom! here are four classic musicals for you to enjoy.
There have been so many films released this fall that I haven’t had time to see them all, but here are two that I have caught on demand that I’d like to say a few words about.
Greetings, programs, and welcome to the 18th edition of the Awesome Friday Movie Podcast! This week we’re talking about The Humans, an adaptation of a Tony Award-winning play with an all-star cast, and Hawkeye, the latest entry in the Marvel Cinematic Universe. Join us!
Good news, everyone: the 2021 Whistler Film Festival is about to start! One of the last festivals on the Canadian circuit returns for its 21st year with a five day run (December 1st through 5th, 2021) in cinemas starting in Whistler BC and a month-long run online (December 1st through 31st). The films online are available Canada-wide, and the festival has a ton of Canadian films for you to enjoy.
You can follow along with my coverage using the WFF-2021 tag right here on AwesomeFriday.ca.
You can see –and purchase tickets for– the full lineup of 30+ feature films and 35 shorts on the festival website.
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Religion and folk horror go together like peas and carrots. So much folk horror is about oppression and belief that religion is the most natural place to go. Dan Slater’s The Family, a new Canadian entry in the genre, explores how religions can be weaponized against someone and explore how much abuse people can take before their breaking point.
While a family dinner can be a daunting prospect, I don’t know that I would call it a horror story. Of course, there is always drama and expertly deployed guilt and passive aggression, but it’s not like a demon is going to crawl out of the walls and eat everyone. The Humans, directed and adapted by Stephen Karam from his own Tony Award-winning play of the same, uses that feeling, that spectre of something waiting to cause harm, to heighten and enhance the drama around family dinner, and it works to great effect.
There is no question that prison is hard on a person, especially in countries like the United States, where the system is set up to be punitive rather than rehabilitative. A long stint can leave a person a shell of their former self unless they have something on the outside to hold on to. In The Unforgivable, that something is a younger sister that the main character isn’t allowed to see. In this circumstance, how do you go on?
The main complaint about Clint Barton’s Hawkeye as a character, at least when it comes to the MCU version, is that he’s boring. I’ve never quite thought that myself, but it’s easy to see where it comes from: he’s a spy that shoots good, and in most of the films, that’s kind of all he is.
What the new Disney+ series Hawkeye proposes is: what if that’s ok?
Jason Reitman, son of famed director Ivan Reitman, has had mixed results lately with his films, but he started his career with four great films in a row. Each of them is unique, and each of them has a human, comedic touch; here are Jason Reitman’s first four films and where to buy, rent, or stream them.
The bar for movies adapted from video games is pretty low. While there’s often a great well of source material to draw from in any given franchise, it is often either adapted too literally or too much is lost in translation, or in some cases, the filmmakers take a giant swing.
Resident Evil: Welcome to Raccoon City is not one of these third films, but it does do one thing that many video-game movies don’t: it knows exactly what it is, and while I wouldn’t go so far as to say that it’s a good movie, that still ain’t nothin’.
When you think of folk horror, your mind goes to certain places: witchcraft, nature, dark spirits. Flee The Light delves into these areas with enthusiasm and a minimal budget.
There is a fine art to making an excellent bad movie. The kind of movie that never gets a lot of mainstream play but is fodder for young film nerds (like myself) surfing late-night channels looking for some new shock to discover. The Chamber of Terror wants to be one of those films, and it doubles down on most of its reasoning for doing so. The problem is that you can’t make a good bad movie on purpose, which is what these filmmakers must have been trying to do.