Review: Andor Season Two is Among the Best of Star Wars and the Year

Sequels and prequels are individually difficult. The former have to carry on story threads and push characters into new places in satisfying ways, the latter have to thread the needle of being their own entity while directly leading into the events that viewers have already witnessed.  Andor season two then faces the difficulty of being both a sequel to its incredible first season and a prequel to the much-loved Rogue One: A Star Wars Story

It’s no mean feat, and while there is a lot to say about this season of television and this review will be as spoiler-free as possible, here is the main thing you need to know: if you liked season one, you are going to like season two.  Season two is very much the same show as season one, with some structural differences, but the same compelling characters, excellent production value, and overt political allegory to our current world.  

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Podcast: Blonde & Star Wars: Andor

Blonde & Andor

Greetings programs! This week on the podcast, we are looking at the divisive new Marilyn Monroe movie Blonde, starring Ana de Armas as the titular blonde bombshell, before moving on to the latest entry in the Star Wars franchise, Andor. We spend half the episode swooning over one of these; listen to find out which!

JustWatch-powered streaming links, our ratings, and a complete list of where you can listen to this episode are below. Join us!

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Review: ‘Dune’ is a vast, beautiful film that loses sight of its emotional core

Dune

Expectation, thy name is Dune. Years in the making and then delayed for an entire year thanks to the ongoing COVID-19 pandemic, Dune has the weight of expectations hanging over it. Director Denis Villeneuve is an accomplished visionary with a clear eye for details and world-building alike, but how can the story of Dune –a famously dense work– be adapted into a movie?

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’Dune’ Trailer: Stop what you’re doing right now and watch this

Dune

If you have been paying attention to cinema these last few years then the name Denis Villeneuve should be an exciting one to you. His particular aesthetic sense for visual narrative has made him one of the most well regarded director of the day.

If you’re a fan of science fiction then the name Dune should also excite you, being that Dune is one of –if not the– most influential and important science fiction novels of all time.

“Denis Villeneuve has been making a Dune movie” is maybe the most exciting sentence I have read or uttered this year.

Here’s a trailer for it.

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VIFF Review: ‘Borg vs. McEnroe’ is frustratingly not quite good (but Shia LaBeouf is great in it)

The rivalry between Bjorn Borg and John McEnroe was one of the ages, and their match at the 1980 Wimbledon Championship is probably one of the greatest matches in tennis history. On track to win his fifth consecutive title, Borg had a reputation as being cool and graceful under pressure. McEnroe, the newcomer at the beginning of his ascendancy, had a reputation as a hothead who regularly threw tantrums on the court and argued with umpires. Even their styles of play were opposite, with Borg playing from the baseline and McEnroe rushing to the net. Literally, everything about this match makes it ripe for a great movie which is why it’s so frustrating that it isn’t one.

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Review – Thor 2: The Dark World

Thor2

The latest edition of Marvel’s assault on cinemas everywhere is a charming little beast. Thor was always going to be one of the more difficult characters to make the transition from inky page to silver screen, (certainly when compared to his Avengers brethren) but given most of the legwork was done in *Thor* and *The Avengers*, very little time is wasted getting on with the plot, such as it is. Rather than *The Dark World*, they should have called it *The Wibbly Wobbly Time/Space Shifting Shenanigans*. Anthony Hopkins knocks out a bit of exposition (primarily to let you know who to boo – it’s evil elves this time, led by Malekith, played by a virtually indistinguishable Christopher Eccleston) and on with the show we go.

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