Tag: Scarlett Johansson

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Podcast: Inedia & It’s What’s Inside (& Transformers One)

Inedia & It's What's Inside

Greetings programs!  On this week’s show, we’re taking on two exciting films.  First up, a BC shot indie film that played as part of the 2024 Vancouver International Film Festival, Inedia.  Then we turn our attention to a new Netflix release, the single-location mystery movie It’s What’s Inside.  Both films are exciting for some of the same and some entirely different reasons, and we have a lot to say about each of them!  Additionally, we talk about Transformers One for a few solid minutes, which means this episode covers three films we both liked!  

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Review: ‘Black Widow’ is a great, character-driven action-adventure

Black Widow

Marvel Studios has become an unstoppable cultural behemoth. Under normal circumstances, their films routinely make a billion dollars at the box office, the kind of money that every other studio on the planet has been chasing ever since the 2012’s The Avengers proved that the interconnected universe of films is a thing that could work.

It’s a shame that these aren’t normal circumstances then, because with the ongoing COVID-19 pandemic pushing Black Widow –the film so many fans have been waiting for for years– into a hybrid release, it probably won’t make a billion dollars at the box office. To be clear: that’s a shame because it’s excellent.

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Review: ‘Jojo Rabbit’ is charming, but muddled satire

Jojo Rabbit

This is a movie that should be right up my alley. It has an acclaimed comedic writer/director known for films that strike exactly the tone that taking on a difficult subject like the Nazis is suited for, with an all-star cast and a premise just out there enough to maybe sneak in some real lessons without the audience knowing.

And it almost works. That’s not to say that Jojo Rabbit is a bad film. It’s actually a fine film. It has more than a few big laughs and a couple of great performances, but it never quite gels into something more.

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Review: Chef

Chef

Jon Favreau has a longer history as an actor than as a writer/director but it’s the latter class that Jon Favreau’s career has had a few bumps in the road lately.most people seem to know him as these days. After writing _Swingers_ and directing _Made_ and later _Elf_ he eventually was given the job of bringing Marvel Studios first film to screen with _Iron Man_. That film was a smash hit and kicked off one of the biggest franchises of all time but the follow-up _Iron Man 2_ and later _Cowboys & Aliens_ were met with less enthusiastic responses.

After all that bombast _Chef_ represents a return to the type of film that got Favreau noticed as a writer/director in the first place: a smaller, simpler film with a straightforward premise and a lot of heart.

And you know what? It’s really good.

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Review: Under The Skin

Under the skin poster

You can put it away now: the idea that the unnervingly attractive Scarlett Johansson only became a superstar due to the fact that she is the human embodiment of a 1940’s bomber girl. It’s easy to decide on obvious categories – something that she has undoubtedly had to fight herself – and she could have effortlessly made her career as The Pretty Girl in all kinds of meaningless rom-coms and action flicks. But then you look at her filmography and you see a ridiculously diverse selection – from *The Girl With The Pearl Earring* and *Lost In Translation* to her deliciously deadly stints as Black Widow in the various *Avengers*, *Iron Man* and *Captain America* blockbusters.

And now, with director Jonathan Glazer’s adaptation of *Under The Skin* from [Michael Faber’s novel](http://www.amazon.ca/Under-The-Skin-Michel-Faber/dp/0006393721), she can finally draw a line under the stereotype. In a movie that contains enough twists and horrors to keep you thinking for weeks, she carries the whole narrative while barely saying a word in a stunning, revelatory performance that is a career best to date.

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