It has been a hell of a year and a hell of a year for film. The second year of the ongoing worldwide pandemic has been a bit of a roller coaster, with wave after wave of COVID once changing the film landscape. Theatres re-opened, but people have only really gone back for the biggest blockbuster titles, and even then, the numbers are a bit soft.
That’s not to say that there hasn’t been many a literal ton of films this year, though. I set a new personal record, having seen nearly 180 films released in 2021, and let me tell you that most of them are good!
To break down my favourites a little more this year, I’ll be dividing things up into three lists, one for my favourite performers, one for my favourite films, and one for the best of the rest. There are navigation links at the bottom of each page to the others.
So let’s get started with this year’s best of the rest, featuring a baker’s dozen more films you should see from 2021.
Continue reading “Matt’s ‘Best of the Rest’ of 2021”
The best comedies are the ones with depth. The ones that layer together stories and satire and lay bare what the filmmakers feel about whatever subject they are tackling. Official Competition is one of these films.
The film opens in the wake of a billionaires birthday party, a man looking back on his 80 years and wondering about his legacy. What can he do to ensure he’s remembered? An idea comes to him: a film; A great film. A film directed by and starring the greatest talent available and drawing on a beloved novel as its source. Or maybe a bridge. A bridge would be good. But no, a film is the way to go, and he impulsively buys the rights to a noble prize-winning book, hires an award-winning art-house director, and the two greatest actors of this generation. Of course, when I say he does it impulsively, I mean he has his assistant do it.
Continue reading “VIFF ’21 Review: ‘Official Competition’ is a savvy, hilarious satire”