Nicolas Cage is something of an enigma. I don’t think that it is either surprising or a revelation to say that, but the man is one of the only true movie stars we currently have. He is known for his near-constant output as an actor, and for being willing to appear in just about anything. This volume of work is not always great (though it’s never exactly boring), but the one thing it accomplishes is that as a result we sometimes forget that he’s a really great actor.
In Pig, his latest film, he reminds us. Before I launch into this review, I should say this: Pig is one of my favourite movies of the year so far, and I firmly believe that you should see it as cold as possible.
Continue reading “Review: ‘Pig’ is not the movie you are expecting, but is one of the best movies of the year”
Film from this time period is going to be interesting. Much like the years after wars or the September 11th attacks, the ongoing worldwide COVID-19 pandemic can’t not have an impact on the art we produce. Some of that is going to be in the form of movies about viruses. Others, like this one, are going to be about how scary is can be to go outside and see people again.
Continue reading “Review: ‘In The Earth’ ventures into the woods and the darkness”
It’s no secret that the United States has done some terrible things in the wake of the September 11th, 2001 attacks. Nearly 800 people were detained at Guantanamo Bay Detention Camp –which, for the record, remains open still– without due process. They have been subjected to “enhanced interrogation techniques”, a bland euphemism for torture. In violation of both international agreements and the united states constitution, these prisoners rights were ignored and their persons abused. The entire affair was –and continues to be– a blight on American history.
The Mauritanian tells the story of one of these people. Mohamedou Ould Salahi (played by Tahar Rahim) was held at Guantanamo for 14 years. His memoir, written while in detention, became the basis for this movie, in which his harrowing story is hiding inside a legal drama we’ve all seen before.
Continue reading “Review: ‘The Mauritanian’ features a strong central performance stuck in a bog-standard legal drama”