Podcast: The Beast & Godzilla x Kong: The New Empire

The Beast & Godzilla x Kong

Greetings Programs!  This week on the show, we’re diving into a heady French Science Fiction film, La Bete (The Beast), starring Lea Seydoux and George MacKay, which will be in Canadian cinemas this week.  Then we move on to the latest entry in the legendary Monsterverse, Godzilla x Kong: The New Empire.    We have a lot to say about each of them, so let’s dive in! 

Join us!

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Awesome Friday Movie Podcast Episode 4: ‘Vivo’ & ‘The Suicide Squad’

Awesome Friday Podcast Vivo & The Suicide Squad

Greetings programs, it’s Awesome Friday on a Sunday, which means we’re back with another episode of the Awesome Friday Movie Podcast!

Join us this week as we discuss two new movies. First up is the new Sony Pictures Animation film Vivo, which features the voice, and songs, of Lin-Manuel Miranda and was released to Netflix this week. Second up is James Gunn’s triumphant return to superhero movies; the Warner Brothers and DC released The Suicide Squad, now in theatres (and on HBO Max in the United States).

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Review: ‘Vivo’ starts strong, ends less strong, and lags in the middle

Vivo

The basic premise of Vivo is both simple and heartfelt: A kinkajou goes on a quest to deliver a love letter from his father figure to his father figures long lost love. That’s it, that’s the whole pitch, and if you pack the cast with talented actors and singers and hire a nearly-EGOT-winning songwriter to turn the whole thing into a musical, that’s a recipe for something special. Most of the time, anyway.

That’s not to say that Vivo is bad; exactly, it’s just fine. It opens with a toe-tapping duet that will stick in your head for ages and closes with a reprise of the same, but there’s a long stretch in the middle where the film takes no exactly no chances and suffers for it.

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Review: ‘The Woman in the Window’ pays homage to many other films you should probably watch instead

Woman in the Window

Imagine for a moment a film full of Oscar-winning actors you love, written by a Pulitzer prize winner whose work you adore, directed by a director with a solid track record, and that pays homage to some of the great mystery stories of all time. Now imagine that it isn’t very good.

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