The best comedies are the ones with depth. The ones that layer together stories and satire and lay bare what the filmmakers feel about whatever subject they are tackling. Official Competition is one of these films.
The film opens in the wake of a billionaires birthday party, a man looking back on his 80 years and wondering about his legacy. What can he do to ensure he’s remembered? An idea comes to him: a film; A great film. A film directed by and starring the greatest talent available and drawing on a beloved novel as its source. Or maybe a bridge. A bridge would be good. But no, a film is the way to go, and he impulsively buys the rights to a noble prize-winning book, hires an award-winning art-house director, and the two greatest actors of this generation. Of course, when I say he does it impulsively, I mean he has his assistant do it.
Antonio Banderas and Pedro Amaldóvar are two of Spain’s biggest film exports and have worked together numerous times. It fits then that in Pain & Glory, the story of an ageing filmmaker in a creative rut who needs to address some unresolved issues from his past, Banderas is basically playing Amaldóvar.
He’s not, of course. Not exactly. Banderas is Salvador Mallo, a respected director who was a maverick in his youth and who has settled into more soulful work in his later years who is suffering from debilitating pain and illness. So he’s basically Amaldóvar in this semi-autobiographical film. He’s also transcendently good in the role.
Terrence Malik is back in a big way lately, and this time he’s taking Christian Bale with him. He does interesting, visually spectacular work and this looks like it’s definitely going to be that. Let’s watch!
Antonio Banderas is having a good year. First he stole all the scenes in Expendables 3 and next he’s going to be hunting robots in Automata. Directed by Gabe Ibáñez this film looks like it might be Blade Runner by way of Neil Blomkamp and that’s a good thing. Let’s watch!