Uh-Oh – There Is Going To Be A New CrackDown On Xbox One

Crackdown

I can resist most things. My general cynicism has now got to a point that I can ignore most hype and not fall for the usual traps. However, sometimes something comes along that even I can’t filter out, and that usually ends up with me spending money.

So. Hey. MICROSOFT HAVE JUST ANNOUNCED A NEW *CRACKDOWN*. Ahem. Read on for the trailer!

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Review: X-Men: Days Of Future Past

X-Men-Days-of-Future-Past-banner

The latest *X-Men* film is a spectacular affair, a high-budget and frequently hilarious reassertion of the franchise after the dreadful *X3: The Last Stand* and *Wolverine* movies. It features all the most popular members of the group kicking ass in glorious action sequences that might be some of the best you’ll see this year and even makes room for a few *fantastic* new mutants. The narrative is good, if a little exposition-heavy upfront, and the pace is great. So it’s a real shame that, even with all these perfect elements, the film’s story makes such a dull thud. The problem isn’t that  it’s badly told, it’s just that there’s not been any attempt to evolve the narrative threads that have been present since the first *X-men* film from 2000. It’s the same old story; a fight between Professor X’s peaceful integration and Magneto’s warlike assertion of mutant superiority, and after the fourth time it has lost its surprise and effect.

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Review: Under The Skin

Under the skin poster

You can put it away now: the idea that the unnervingly attractive Scarlett Johansson only became a superstar due to the fact that she is the human embodiment of a 1940’s bomber girl. It’s easy to decide on obvious categories – something that she has undoubtedly had to fight herself – and she could have effortlessly made her career as The Pretty Girl in all kinds of meaningless rom-coms and action flicks. But then you look at her filmography and you see a ridiculously diverse selection – from *The Girl With The Pearl Earring* and *Lost In Translation* to her deliciously deadly stints as Black Widow in the various *Avengers*, *Iron Man* and *Captain America* blockbusters.

And now, with director Jonathan Glazer’s adaptation of *Under The Skin* from [Michael Faber’s novel](http://www.amazon.ca/Under-The-Skin-Michel-Faber/dp/0006393721), she can finally draw a line under the stereotype. In a movie that contains enough twists and horrors to keep you thinking for weeks, she carries the whole narrative while barely saying a word in a stunning, revelatory performance that is a career best to date.

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