Review: ‘Tenet’ is visually impressive but too clever by half.

Tenet

Tenet was one of the most anticipated movies of the year. Delayed multiple times due to the ongoing COVID-19 pandemic, it was finally released to theatres late in the summer in an effort to save the cinema business but need up only proving that the world still wasn’t safe enough for that to happen. Not a flop at the box office exactly, but not a moneymaker either, there isn’t a movie with a more interesting story behind it this year.

Now, finally, it has arrived on home video, and I have finally had a chance to see it. So, how is it? Well, it’s a visually stunning and completely frustrating mess of a movie.

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Review: ‘The Devil All The Time’ is a bleak story anchored by great performances

Tom Holland / The Devil All The Time

There are a lot of no good sons of bitches out there. This is the message that Willard Russell (Bill SkarsgÄrd) imparts to his son immediately after brutally beating two men who had made lewd comments about his wife.

Willard teaches his young son Arvin (Michael Banks Repeta) that the world is full of no good sons of bitches, and that using violence against them is not so much a question of if as it is when. Years later, an adult Arvin (Tom Holland) finds himself surrounded by no-good sons of bitches; he remembers his father’s lessons.

The Devil All The Time is a story of generational pain and violence in 1950s Ohio. It is bleak, and unflinching, and also incredibly uneven. If it weren’t anchored by two brilliant performances I’m not sure that I would recommend it. Luckily, it is, so I am.

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VIFF Review: ‘The Lighthouse’ is on a journey into madness and it’s taking you with it

The Lighthouse / VIFF 2019

Robert Eggers has made two movies now. Both with predominantly natural light, confident eye and camera, and period set using actual dialogue from sources contemporary to said setting.

The man has a style, is what I’m saying. But whereas The Witch was a good old fashioned horror movie about a family terrorized by their own inadequacies and a witch, The Lighthouse is something different altogether. It’s a chronicle of two men descending into madness, tortured by their utter solitude but also each other’s persistent company.

It’s tense, absurd, it features two powerhouse performances, it’s overwhelming, and it’s an absolute must-see.

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Awesome Friday: Iko Uwais in G.I. Joe, Sony & Marvel’s Spider-Powered Divorce, That New Batsuit Smell, & More

Iko Uwais / The Raid

Dear readers,

Yes, both of you. Here’s a new experiment to get me writing a bit again. Sans the time to write up each bit of movie news there is (guys there is so much news every week, it’s nuts) I’m going to try to keep a digest on a weekly basis. Hopefully this works and hopefully you like it. Let’s hop right to it, shall we?

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VIFF Review: Maps to the Stars

Maps to the Stars

David Cronenberg makes two kinds of films: Great ones and weird ones. I’m honestly not sure which category _Maps to the Stars_ falls into. On the one hand, it’s a biting indictment of Hollywood and the stars who live there and featuring some completely amazing performances, but on the other, it’s a muddled mess of slow-moving plots, some of which are never resolved.

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The Rover Trailer: Guy Pearce and Robert Pattinson Have All The Gravitas

The Rover

Nobody does post apocalyptic like the Aussies. Maybe that’s because they live in a place located 3/4 of a mile from the surface of the sun/*? Probably not, but either way here comes another post apocalyptic film from Australia starring Guy Pearce and Robert Pattinson, written and directed by David Michod (the guy who wrote and directed Animal Kingdom which if you haven’t seen go see).

Let’s watch a trailer!

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