The first thing you will notice is the cinematography. Shot in elegant black and white, the camera in Paris, 13th District (Les Olympiades, en Francais) is a character unto itself, peering into the windows and lives of the residential towers of the district before settling on three to follow. The camera then follows them, like a close friend, and while the resulting film is lightly paced and slight with the details, it never doesn’t feel intimate and empathetic.
Continue reading “VIFF ’21 Review: ‘Paris, 13th District’ is a gorgeous, if slightly thin, look at how we deal with trauma”
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