You read that right: a supercut of every on screen death in every movie that Quentin Tarantino has made so far. If you have an aversion to massive sprays of blood you may want to skip this 4m20s minute video.
Continue reading “Watch This: Every Death In Every Tarantino Movie (So Far)”
The Oscars are later tonight and Simon and I will be live blogging them. Just for fun, I’m going to lock myself into a few predictions.
#### Sundry Categories
Without going into too much detail on these ones here are how I’d like to see a few of the categories with less fanfare to play out.
* “Skyfall” to win Best Original Score.
It’s the only memorable one of the nominees.
* “Skyfall” to win Best Original Song.
Best Bond Song in years and just a great song. Outside chance for _Everybody Needs a Best Friend_ from Ted, but doubtful.
* Roger Deakins to win Best Cinematography for “Skyfall”.
[There’s lots of reasons to love Roger Deakins](http://en.wikipedia.org/wiki/Roger_Deakins#Filmography), but more to the point he’s never won the awards despite some brilliant work _and_ Skyfall is a gorgeous film.
* “Prometheus” for Best Visual Effects.
Prometheus is not a good film, but it’s a gorgeous film and the effects are seamless.
* Animated Movies
I haven’t seen all the nominees for best Animated Feature, so I have no idea who will win. I have hoever seen all the nominees for Best Animated Short and I really hope that ***Paperman*** wins.
And now, on to the big ones.
#### Best Adapted Screenplay
* “Argo” – Chris Terrio
* “Beasts of the Southern Wild” – Lucy Alibar & Benh Zeitlin
* “Life of Pi” – David Magee
* ***”Lincoln” – Tony Kushner***
* “Silver Linings Playbook” – David O. Russell
I want to say Argo, but it will probably be ***Lincoln***. In the battle between American heroism and America’s most beloved president, I think it’ll go to the president.
#### Best Original Screenplay
* “Amour” – Michael Haneke
* ***”Django Unchained” – Quentin Tarantino***
* “Flight” – John Gatins
* “Moonrise Kingdom” – Wes Anderson & Roman Coppola
* “Zero Dark Thirty” – Mark Boal
***Quentin Tarantino*** has to win this one. Django is almost entirely overlooked in the nominations, but there’s no denying the screenplay is the best this year. Tarantino’s dialogue is amazing as always. You can question his directorial choices but you can’t question how he writes.
#### Actress in a Supporting Role
* Amy Adams – “The Master”
* Sally Field – “Lincoln”
* ***Anne Hathaway – “Les Miserables”***
* Helen Hunt – “The Sessions”
* Jackie Weaver – “Silver Linings Playbook”
Are you kidding me? ***Anne Hathaway***. Everyone here is great, I wish that Amy Adams will win because she is as amazing as everyone else in The Master, and also because I’d really like to see the Academy slightly embarrassed by having all the actors win while their movie nor director is nominated, but Anne Hathaway plays a hooker with a heart of gold, doing everything for her kid, with a debilitating disease, in an adaptation of a beloved stage musical.
Yeah, it’s Anne Hathaway’s year.
#### Actor in a Supporting Role
* Alan Arkin – “Argo”
* Robert De Niro – “Silver Linings Playbook”
* Philip Seymour Hoffman – “The Master”
* ***Tommy Lee Jones – “Lincoln”***
* Christoph Waltz – “Django Unchained”
No clear winner here. Everyone is amazing and everyone has won before. I don’t see Christoph Waltz winning since he did just a couple years back for a very similar role, I don’t see Robert De Niro winning because unlike Jennifer Lawrence (whose performance is elevated above the movie she is in) he’s good but not great.
Alan Arkin was great but also was how Alan Arkin always is.
So that leaves Tommy Lee Jones and Philip Seymour Hoffman. I’d love to see Philip Seymour Hoffman win because he and Joaquin Phoenix are both spectacular in The Master, but ***Tommy Lee Jones*** I think might win for Lincoln because Daniel Day-Lewis isn’t going to win his trophy.
#### Actress in a Leading Role
* Jessica Chastain – “Zero Dark Thirty”
* ***Jennifer Lawrence – “Silver Linings Playbook”***
* Emmanuelle Riva – “Amour”
* Quvenzhané Wallis – “Beasts of Southern Wild”
* Naomi Watts – “The Impossible”
Do we even have to talk about this? I’m pretty sure this is Jennifer Lawrence’s award to lose as of this moment. Silver Linings Playbook may not be a great film however Jennifer Lawrence is great in it. She’s already been robbed once (have you seen _winter’s Bone_? She’s amazing) too so that pretty much locks it down.
So here’s hoping that Jessica Chastain wins next year, because ***Jennifer Lawrence*** is going to win this year.
#### Actor in a Leading Role
* Bradley Cooper – “Silver Linings Playbook”
* Daniel Day-Lewis – “Lincoln”
* ***Hugh Jackman – “Les Miserables”***
* Joaquin Phoenix – “The Master”
* Denzel Washington – “Flight”
As with the Best Supporting Actor category there doesn’t seem to be a clear front runner here. Everyone did great. I was particularly surprised by Bradley Cooper who is getting better and better. However, I think it’s going to go to ***Hugh Jackman*** because say what you will about Les Mis, he acted the shit out of it.
It’s too bad too, because Joaquin Phoenix was amazing in The Master.
#### Best Director
* “Amour” – Michael Haneke
* “Beasts of the Southern Wild” – Benh Zeitlin
* “Life of Pi” – Ang Lee
* ***”Lincoln” – Steven Spielberg***
* “Silver Linings Playbook” – David O. Russell
***Steven Spielberg***. Honestly, of all the directors eligible to be nominated this year he’s the only one on this list that would also be on mine. Paul Thomas Anderson, Ben Affleck, Kathryn Bigelow, and Quentin Tarantino are all missing for the record.
#### Best Picture
* ***”Argo”***
* “Django Unchained”
* “Les Miserables”
* “Life of Pi”
* “Amour”
* “Lincoln”
* “Silver Linings Playbook”
* “Zero Dark Thirty”
* “Beasts of the Southern Wild”
Argo has already won almost every major award there is in this category, including the Golden Globe, Producers Guild, Directors Guild, and SAG awards. You know why? Because it’s a great film and it deserves to win.
It’s also the safest bet because unlike _Zero Dark Thirty_, which I think is a better movie, it’s a story about one man’s heroism and the Academy eats that up.
Outside chance for _Les Miserables_, but for all the fanfare at its release no one is talking about it anymore.
So, ***Argo*** it is.
Later tonight we’ll be live blogging the show so you can watch in real time to see how I did with my predictions then! In the mean time, do you guy have any predictions or movies you are pulling for to win?
It’s that time of year again: Awards Season. The Golden Globes are on this weekend and this week the [nominations for the 85th Annual Academy Awards were announced](http://oscar.go.com/nominees).
My reactions to the nominations are varied, but as per usual I’m more surprised by what’s _not_ on the list than what is.
I’m going to be up front about this too: I still haven’t seen all the films that are nominated, so my opinons here are a little skewed, so I’ll stick to talking about the ones I know (where I can).
The 2013 Oscar Nominations and my commentary thereon:
#### Best Picture
* “Argo”
* “Django Unchained”
* “Les Miserables”
* “Life of Pi”
* “Amour”
* “Lincoln”
* “Silver Linings Playbook”
* “Zero Dark Thirty”
* “Beasts of the Southern Wild”
My initial reaction here is that they can have as many as _ten_ nominations, they’ve nominated _nine_ films and The Master isn’t on the list. I mean, love it or hate it, The Master is the type of film the academy usually goes all in on.
Also, and while I personally didn’t care for it, I’m a little surprised that _The Dark Knight Rises_ isn’t on here in recognition of the trilogy that Christopher Nolan put together. I mean, they did it for Peter Jackson, why not Nolan?
I honestly don’t know what I’d pick from this list, I still haven’t seen Les Miserables, Django Unchained is amazing but Silver Linings Playbook is pretty much exactly the type of “quirky people” movie that actors love playing and love voting for, so we’ll see.
#### Actor in a Leading Role
* Bradley Cooper – “Silver Linings Playbook”
* Daniel Day-Lewis – “Lincoln”
* Hugh Jackman – “Les Miserables”
* Joaquin Phoenix – “The Master”
* Denzel Washington – “Flight”
I’m kind of shocked to see Bradley Cooper on this list, but then again as I mentioned before _Silver Linings Playbook_ is pretty much the type of film the Academy goes in for. Denzel is a bit of a wild card to me, he was great in Flight but I didn’t expect to see him here.
Daniel Day-Lewis and Hugh Jackman are completely not surprising: They’re both great actors and they’re both in great films.
I have a feeling that Day-Lewis or Jackman will take this category but I actually hope for Joaquin Phoenix. The man is completely transformed for his role in _The Master_. His slight slur, his ability to go from calm to explosively violent in a heartbeat, and even his hunched posture, the man disappeared into Freddie Quell.
And of course the lingering question: where the hell is Jamie Foxx’s name?? Or John Hawkes? Geez!
#### Actress in a Leading Role
* Jessica Chastain – “Zero Dark Thirty”
* Jennifer Lawrence – “Silver Linings Playbook”
* Emmanuelle Riva – “Amour”
* Quvenzhané Wallis – “Beasts of Southern Wild”
* Naomi Watts – “The Impossible”
To be fair, I haven’t seen Amour, Beasts of a Southern Wild or The Impossible yet so I have no idea who is going to take this. I do, however, love the idea that either Jessica Chastain or Jennifer Lawrence might win since I honestly think they were both robbed in the past (Chastain in _The Help_ and Lawrence in _Winter’s Bone_).
#### Actor in a Supporting Role
* Alan Arkin – “Argo”
* Robert De Niro – “Silver Linings Playbook”
* Philip Seymour Hoffman – “The Master”
* Tommy Lee Jones – “Lincoln”
* Christoph Waltz – “Django Unchained”
Interesting fact: All five nominees here are Oscar winners already. Interesting Fact: Leonardo diCaprio has not won an Oscar before, was the scene stealing standout of the show in Django Unchained, and isn’t on this list.
Now, i don’t mean to demean any of these guys work but at the same time I do mean tot point out that Leonardo has been _fucking robbed_ this year.
As to who will win? I’m pulling for Phillip Seymour Hoffman. His work in The Master is stellar and he deserves to go home with his second trophy for it.
I’m going to say something that will make me sound like a fanboy now: I think Bruce Willis should be on this list for Looper. If you don’t believe me just go watch it again and pay close attention when he goes after his first target.
#### Actress in a Supporting Role
* Amy Adams – “The Master”
* Sally Field – “Lincoln”
* Anne Hathaway – “Les Miserables”
* Helen Hunt – “The Sessions”
* Jackie Weaver – “Silver Linings Playbook”
Here’s a category where I think the younger actresses are going to battle it out. Amy Adams is phenomenal in The Master and Anne Hathaway sang “I Dreamed A Dream” on screen, live. Completely different roles to be sure, both both are great.
Not to sound like I have Django on the brain, but Kerri Washington could likely have done with a nod here. Hell, so could Emily Blunt for _Looper_.
#### Best Animated Feature
* “Brave”
* “Frankenweenie”
* “ParaNorman”
* “The Pirates! Band of Misfits”
* “Wreck-It Ralph”
Pixar has a nomination and usually that’s enough to secure themselves a win, but Brave –while great by normal standards– was just ok by Pixars usual standards.
I’d really like to see this go to Wreck-it Ralph.
#### Best Director
* “Amour” – Michael Haneke
* “Beasts of the Southern Wild” – Benh Zeitlin
* “Life of Pi” – Ang Lee
* “Lincoln” – Steven Spielberg
* “Silver Linings Playbook” – David O. Russell
I haven’t seen enough of these to comment. Lincoln was incredibly directed but I’m not so sure about Silver Linings Playbook. Maybe David O. Russell is nominated because he probably should have won for _The Fighter_.
No Tarantino? No Rian Johnson? No Ben Affleck? No Kathryn Bigelow? What the hell? And what about Paul Thomas Anderson? You’re telling me that the three main actors from his film had oscar calibre performances and he had nothing to do with that? Riiiight.
And again, a little surprised to not see Christopher Nolan on this list for the same reasons I mentioned above.
#### Best Original Screenplay
* “Amour” – Michael Haneke
* “Django Unchained” – Quentin Tarantino
* “Flight” – John Gatins
* “Moonrise Kingdom” – Wes Anderson & Roman Coppola
* “Zero Dark Thirty” – Mark Boal
This is the one that Tarantino will win. I can’t see how he wouldn’t given that he was snubbed on the Best Director list. But where is Rian Johnson on this list? She should be here for the same reason Tarantino is.
#### Best Adapted Screenplay
* “Argo” – Chris Terrio
* “Beasts of the Southern Wild” – Lucy Alibar & Benh Zeitlin
* “Life of Pi” – David Magee
* “Lincoln” – Tony Kushner
* “Silver Linings Playbook” – David O. Russell
I’ve only read the source material for one of these and I haven’t seen the movie version of it yet so I’m gonna keep my trap shut.
I’m going to wager a guess that either Silver Linings Playbook or Argo takes it.
#### The Rest and Closing Thoughts
That’s really it for the major categories, the rest are mostly technical. It’s nice to see that Skyfall picked up a nomination in the original song category, I loved the song and I hope either it or _Everybody Needs A Best Friend_ from _Ted_ takes it home.
It’s more than a little strange to see _The Master_ left off the cinematography list, it’s being snubbed for best picture is one thing, it was easily the most stunningly shot film I saw in 2012.
I’m a bit sad to see that _Looper_ was passed over entirely. It’s incredibly well written and it’s cast are are great. I know that the academy doesn’t usually go in for genre film but still. Great films deserve recognition. At least give him the screenplay nod!!
Last year I [live blogged the ceremony](https://awesomefriday.ca/2012/02/oscars-2012-live-blog/) and, barring any unforeseen circumstances I’ll be doing the same thing year, so check back here on 24th of February!
It is now 2013. Another year is over, so here’s a brief look at what I thought of 2012.
There’s so much I can say here but what it comes down to is that I’ve been waiting for this film for basically my entire life. Having been reading Marvel comics since I was a kid seeing all these characters brought to the big screen in a way that doesn’t suck on their own was good, seeing them all on-screen together in a way that doesn’t suck is fucking amazing. Because let’s face it: a lot of superhero movies suck.
You see it’s not just that this is a good film that makes it my favourite of the year, hell I’ll even admit that there are a bunch of objectively better films that came out this year, but The Avengers is the geek dream realized: comic book continuity brought to the movies. Proof that you can create an entire universe in film and the masses won’t reject it. Proof to the studios —finally— that their audience is full of intelligent people who are looking for an interconnected film series with characters that stand both on their own and as a team in a single universe. Yes, I realize I just said the same thing three times. If you think The Avengers isn’t a milestone in filmmaking consider this: Fox just hired Mark Millar to oversee X-Men continuity. DC had the ending of Man of Steel retooled to leave it open for a Justice League style team-up movie down the road.
And aside from all that, it’s just a damn good movie. It’s near-perfectly cast, they’re all clearly having fun, Joss Whedon’s script is lively and full of humour, and it features one of the best action set pieces of the year. Who knew basically destroying New York could be so fun? More than that though, Joss Whedon understands that what makes a large cast work isn’t the action or the bad guy’s plans, it’s the relationships between the characters and he completely nails this aspect of the film.
At the moment when The Avengers finally assemble for the third act of the film, I was one of the people standing and cheering, and I fully expect that the next time they assemble, I will be again.
“I don’t want to talk about time travel, we’ll be here all day.” is my favourite line from Looper. This is the scene in which writer/director told us “stop worrying and enjoy this story because the story is what matters.” All of this is completely true. Looper is a film that tells you that it’s about time travel, but it’s really about love. That message, coupled with fantastic performances from the cast, a brilliant script make this a must-see.
Skyfall is the best James Bond story in years. It’s also the third act in a larger story that sees the latest Bond become fully realized and ready to move the franchise forward. Combine that with some of the best action direction of the year from Sam Mendes, and you’ve got a recipe for a great movie, which this is.
If you’d told me last year that one weekend in the summer all the guys I knew would be in a theatre watching a movie about a teddy bear (and all the girls were watching a movie about a stripper), I’d probably have given you a funny look, but that’s pretty much exactly what happened when Ted came out. It takes the ageing buddy movie schtick and manages to make it fresh again, it’s hilarious from start to finish, and it gives Mila Kunis a character to play. What more could you want?
I actually struggled with this category because, in all honesty, I don’t really have that many memorable gaming experiences from the year. There were a few flash-in-the-pans like Borderlands 2, but it ended up not holding my attention for more than a couple of weeks. Punch Quest, however, I can’t seem to get enough of.
There’s not really that much new stuff here; it’s an infinite runner that features punching. Strange at it may seem, that simple addition makes it completely addictive. Like all good single-player games, it engages me to keep playing by asking me to compete with myself and also by offering upgrades that make the punching cooler, routes that lead to boss battles or treasure troves, and a host of other “I can’t wait to see what comes next” moments in the gameplay.
You know I could go on and on and on about The Dark Knight Rises, but I am not going to go into specifics because I already did on the podcast but also because the specifics don’t really matter.
Sure, there are plot holes that you could drive a bus through, and there’s a lot of them, but you know what? Batman Begins and The Dark Knight both have some pretty big holes in them too. The difference is that where Batman Begins and The Dark Knight are both compelling stories, and The Dark Knight Rises is not.
Batman Begins had Bruce Wayne training and learning to become Batman. The Dark Knight pitted Batman against The Joker, his philosophical opposite. The Dark Knight Rises had Batman face off against his equal after learning to become Batman again, twice. This is not compelling; it’s repetition. Bane, despite Tom Hardy wearing the mask, isn’t interesting and a last-minute twist robs all his characters weight.
I feel like Christopher Nolan might have been going for fan service with this one (and let’s face it if the story were a comic book few people would complain because comics are strange), tried to work too much into the story and the end is a non-compelling mess.
And how did Bruce Wayne get halfway around the world with no money or ID in just a few days and then enter Gotham while it was on a total lockdown, anyway?
Halo 4 may have made all the money, but I personally didn’t connect with it in the same way that I did the previous 5 entries in the franchise. I can’t quite put my finger on why, but every time I got stuck I got frustrated rather than spurred to push harder as I did in Halo: Combat Evolved, Halo 2, Halo 3, Halo: ODST and Halo: Reach.
Prometheus was meant to be Ridley Scott’s triumphant return to SciFi and the Alien franchise. It’s pretty safe to say that this was one of my most anticipated releases of the year, so when it turned out to be a convoluted mess, you could say that I was disappointed. Listen to the podcast episode in which we talk about Prometheus to get a better idea of how I felt.
I’ve tried to see Django Unchained twice now and both times I’ve gone down to the theatre every show has been sold out. Love it or hate it, people are certainly seeing it. I have mixed feelings about Tarantino as a whole, but I loved Inglorious Basterds, and this one looks to be right up the same alley of bloody American history.
I’ve heard very mixed things about Les Miserables but I very much want to see it for myself. I love the idea of live singing in a movie, but I can see where that might detract from the show as well. Plus it’s full of people that I like, including Anne Hathaway and Hugh Jackman.
The C.I.A. says that Zero Dark Thirty isn’t realistic but I’m not sure I care. I’ve yet to hear a bad review, and it has one of the more interesting production histories of the year. Plus, Jessica Chastain. Just sayin’.
That’s about all I have for 2012. All in all, it was a pretty good year for film for me, but not so much for games. Hopefully, that changes in 2013!
Be sure to check out Simon’s Best of 2012 before you go, and have yourself a great 2013!
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