Greetings programs! This week on the show Matthew and Simon take a look at the new M. Night Shyamalan movie Knock at the Cabin and the new Netflix release We Have a Ghost. There are many opinions in this one, so listen and let us know what you think!
Continue reading “Podcasts: Knock at the Cabin & We Have A Ghost”Review: ‘The Woman in the Window’ pays homage to many other films you should probably watch instead
Imagine for a moment a film full of Oscar-winning actors you love, written by a Pulitzer prize winner whose work you adore, directed by a director with a solid track record, and that pays homage to some of the great mystery stories of all time. Now imagine that it isn’t very good.
Continue reading “Review: ‘The Woman in the Window’ pays homage to many other films you should probably watch instead”Review: ‘The Falcon and the Winter Soldier’ premiere is a big tease for things to come
How do you follow in the footsteps of a giant? How do you live with the sins of your past? These are two of the questions at the heart of The Falcon and the Winter Soldier, the new series on Disney+ that follows Anthony Mackie and Sebastian Stan, reprising their roles as Sam Wilson and Bucky Barnes, respectively.
Continue reading “Review: ‘The Falcon and the Winter Soldier’ premiere is a big tease for things to come”Review: ‘Outside the Wire’ is a bit derivative but has some cool action
You have definitely seen this film before. Well, ok, not exactly this film, but if you’re a fan of science fiction and you’re presented with a story about a cocksure young recruit being paired with an android who can’t lie but clearly isn’t telling the whole truth, well, you’ve seen this movie before.
Continue reading “Review: ‘Outside the Wire’ is a bit derivative but has some cool action”Review: Captain America: The Winter Soldier
I have a lot that I want to tell you right now that I just can’t. I don’t want to spoil the movie, and to do a proper review I won’t technically be spoiling anything, but I’ll tell you now that you should just go see this movie. You want to know why? Because it’s great. Fantastic even.
Continue reading “Review: Captain America: The Winter Soldier”
Falcon Gets His Own Poster for Captain America: The Winter Soldier
Falcon finally front and center. Let’s take a look!
Continue reading “Falcon Gets His Own Poster for Captain America: The Winter Soldier”
Captain America: The Winter Soldier Super Bowl Spot, Trailer #2 + New Poster: How Do You Tell Good Guys From Bad Guys?
Finally a decent look at Falcon and Black Widow and The Winter Soldier himself, or at least what they’re all capable of.
Continue reading “Captain America: The Winter Soldier Super Bowl Spot, Trailer #2 + New Poster: How Do You Tell Good Guys From Bad Guys?”
Captain America: The Winter Soldier Trailer. This Isn’t Freedom, It’s Fear.
I’ve been looking forward to this one for a while, we finally have a trailer for Captain America: The Winter Soldier. Let’s watch!
Continue reading “Captain America: The Winter Soldier Trailer. This Isn’t Freedom, It’s Fear.”
Review: Gangster Squad
Ryan Gosling. Sean Penn. Josh Brolin. Emma Stone. Robert Patrick. Anthony Mackie, Giovanni Ribisi, and Michael Pena. Directed by Reuben Fleischer in a post-World War II cops vs. Gangsters story. This is a movie I wanted to see from the moment I heard about it.
Set in Los Angeles and facing off against famed mob boss Mickey Cohen, the players form an elite and off the books squad of cops who at the behest of the Chief of Police (played by Nick Nolte) take the battle against organized crime right to the head honcho. They hit him hard and where it hurts.
Does this sound familiar? Yeah, it sounds a lot like The Untouchables. It’s too bad it’s nowhere near as good as The Untouchables.
Now, that’s not to say that this is a truly terrible movie, just that it’s not very good. The problems are twofold, first there’s the issue of balance.
Half the time, it seems to be a serious cop drama complete with “Are we doing the right thing?” moments, and the rest of the time, it’s trying to be Dick Tracy 2, complete with characters who are either stereotypes or caricatures (more on that in a moment).
Seriously. Sean Penn plays Cohen so over the top that he’s hard to take seriously, and Troy Garity is his main henchman with a scar over his face that damaged his eye, and is credited simply as “One Eyed Assassin”. Meanwhile, Josh Brolin is the tough-as-nails, uncompromising lead detective, and Ryan Gosling is the sardonic, morally grey detective who must decide whether he’s really in the game. The problem here is that the movie never commits to one tone. Is it light and fun, or is it dark and serious? The answer is neither because it seems to try so hard to meet in the middle.
If any of this is starting to sound familiar again, it’s because of the second problem: there’s nothing here you haven’t seen before. There are two deaths on the squad, and usually, I’d consider that a spoiler, but if you can’t tell who it’s going to be after each of their introductory scenes (and what the immediate follow-up is going to be), then you’re probably watching a different movie than I was.
The film has other problems as well. A one liner here and there is good, several one liners during every sequence is silly. The rest of the dialogue is pretty bad, too. Even the lines that sounded cool in the trailer fall flat in the movie itself, and the writers are trying so hard to make every character cool that none of them get any actual development. Everyone ends up just being a pastiche of others you’ve seen before. The Hard Ass, the cowboy, the tech guy, the minorities struggling for acceptance, and the old man police chief.
Worse yet, none of the actors have any chemistry together. Sure, Josh Brolin and Mireille Enos have some, but the home story is a subplot, and Josh Brolin talking to almost anyone else feels forced. Even Ryan Gosling and Emma Stone don’t seem to connect despite having done so in other films.
There’s a lot to like here in the small details, though. The movie looks fantastic, from the sets to the costumes to the hair and makeup. The story isn’t bad, and we all know Reuben Fleischer loves his slow-motion shots. In the end though, the looks are just window dressing, the story is told with little nuance and terrible dialogue and the slow motion (and sped up) stuff just makes the pacing of the big final action sequence fall to pieces.
The scenes that play well are the action scenes (not sped up or slowed down) but almost feel like a different movie.
Gangster Squad was one of my most anticipated films of the year. Maybe because of that context, I am being hard on it, but I don’t think I am. It seems to be a movie made to make a great trailer. There are lots of one-liners to choose from, beautiful people in beautiful clothes on beautiful sets, and lots of action (and it does have a great couple of trailers). The problem is that they didn’t seem to be able to figure out what kind of movie they wanted to make or how they tried to play it, and the result is that the finished product is just a hot mess.
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