Review: ‘Worth’ is worth seeing for Michael Keaton alone

Worth

It’s hard to believe that the September 11th attacks were 20 years ago this month. It was an event that scarred the American psyche and that the country has been trying to reckon with through art ever since. We remember vividly things, such as the images of debris-covered civilians fleeing the scene or the American flag hanging over the ruins. There are things we don’t remember so well also, though, such as the September 11th Victim Compensation Fund which was created by an act of Congress just days after the attacks with an end goal of stopping the victims from suing the airlines involved.

Worth tells the story of Ken Feinberg and the administration of that fund, from its inception through the struggles to bring all the victims families on board and to its final resolution and payout to nearly 97% of them. If this sounds like it’s a little dry, well, you’re not entirely wrong.

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Awesome Friday Movie Podcast: ‘Candyman’ and ‘Shang-Chi and the Legend of the Ten Rings’

Awesome Friday Podcast Candyman & Shang-Chi

Greetings programs! it’s that time of the week: Awesome Friday, on a Sunday. On this weeks episode of the podcast we’re taking on two new theatrical releases: Candyman, from director Nia DaCosta and Marvel’s Shang-Chi and the Legend of the Ten Rings from director Destin Daniel Cretton.

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Review: ‘Candyman’ updates the mythos of a classic urban legend slasher, with uneven (but mostly good) results

Candyman

I make no bones about this fact: 1992’s Candyman and its 1995 follow up Candyman: Farewell to the Flesh are movies that shook me to my core as a child. I originally saw them back to back while alone in the dark, and let’s say that that had a formative effect on me. Short version: I was a horror wuss.

Fast forward to today, and I consume a great deal of horror as I think it’s one of the most creative spaces in filmmaking. However, the thought of a new Candyman film had me a little on edge thanks to some deep-seated memories. So now that I have had a chance to watch it, does it hold up to the original? Yes! Well, mostly!

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Review: ‘Powder Keg’ is a noble but unsuccessful drama

Powder Keg

In February 2015, a man with a gun opened fire in Copenhagen. He attacked the Krudttønden Cultural Centre, discharging more than thirty rounds and killing Finn Nørgaard, a filmmaker who ran outside and tried to overpower the shooter. The following day, the same shooter arrived at the Great Synagogue and killed Dan Uzan, a Jewish community member. This event remains one of the most prominent terrorist attacks in recent Danish history.

Powderkeg, releasing on-demand today by Vortex Media, tells the story of these three men plus a responding police officer. And it’s fine.

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Review: ‘Marvel’s Shang-Chi and the Legend of the Ten Rings’ is Marvel’s best new character debut in ages

SHANG-CHI AND THE LEGEND OF THE TEN RINGS

It’s ok, folks; our long national nightmare is over. Marvel’s latest film is out, and we can all stop holding our breath because it’s pretty great. I know there are a ton of you out there waiting to see this, and you want to go in as blind as possible –and that’s honestly a good idea!– so if you want to bookmark this and come back later, here are the Coles Notes: it’s good! It has some great laughs! It has some absolutely dope fight scenes! Simu Liu and Awkwafina are great together! I think you’re going to like it!

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Fantasia ’21 review: Dreams On Fire is a hypnotic and authentic drama where dance is the star

There’s an apt dreamlike quality to Dreams On Fire from the very first few minutes, where protagonist Yume announces her wish to become a dancer only to be chased out of her rural Japanese home by her fiercely overbearing father, while her mother can only cry in the corner. Soon she’s relocated to Tokyo, packing her whole life into a tiny noisy apartment that’s barely bigger than her single floor mat, and the rest of the movie’s two-hour-plus runtime takes its time to show us every high and low of her journey.

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Fantasia ’21 Review: Alien On Stage is an irresistible creative journey

Alien on Stage

What do you want in your documentaries? Sweeping views of Colombian jungles? An in-depth exploration of the habits of migrating monarch butterflies? Or a group of bus drivers from Dorset who decide to put on their stage version of the classic sci-fi horror, Alien? Well, good news, you can have all three, but if you’re looking for an almost unbelievable underdog story that leaves you misty-eyed at the end, then the latter is perfect for you.

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Review: ‘Vacation Friends’ is fine, and that’s fine.

VACATION FRIENDS

Stop me if you have heard this one before. A protagonist obsessed with planning, order, and things being just so, ends up in a situation where they have to spend time with a new friend who floats through life, embraces chaos, and for whom things always seem to work out. I don’t know what movie you are thinking of because there are so many possibilities, but I am talking about Vacation Friends, the new film starring Lil Rel Howrey and John Cena, which debuts on Disney+ Star (Hulu in the US) today.

To be clear, this set-up has been done so many times because when it works, you get comedy gold. However, there are two things that a film like this needs to hit that paydirt. First, you need a pair of charismatic leads who have excellent comedic timing and natural chemistry that allows them to bounce off one another seamlessly for the most comedic effect. Howrey and Cena are definitely this. Second, you need a really funny, original script. It’s a good thing that this movie has the first thing.

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Fantasia ’21 Review: ‘Hellbender’ puts a hell of a twist on the coming of age story

Hellbender

The coming of age tale as a horror movie has been done before. Whether it’s vampirism, or lycanthropy, or witchcraft, the story of a young person discovering something new inside themselves and figuring out both who they are and who they want to be is a well-worn trope.

Hellbender manages to put a unique spin on things, not only by reimagining witchcraft through a hard rock lens but by being a family affair, both on and off-screen.

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Interview: Nicole Dorsey on her film ‘Black Conflux’

NICOLE DORSEY, BLACK CONFLUX, TIFF X, SAMSUNG STUDIO

Black Conflux, the first feature film from director Nicole Dorsey, had its premiere at TIFF 2019, and then with the outbreak of COVID-19, the film has had a long journey to theatres and finally vide on-demand this summer. It’s a confident and engaging film (read my review here) and an affecting one.

I had the chance to sit down with Nicole via audio last week to discuss the film, transcribed here. I hope you enjoy it!

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Fantasia ’21 Review: ‘Glasshouse’ is palpable with desire but reckons with memory

Glasshouse

There has been a pandemic, as there has been a lot lately, and there probably will be for some time to come in the world that Glasshouse takes place in. Unlike the one in the real world, this one strips people of their memory, of the very essence of who they are. This plague, “the shred” as they call it, leaves a mother and her family in a hermetically sealed glass house to live out their days gardening, and also killing “forgetters” who stumble out of the woods into their lawn, until one of of the daughters brings in a wounded stranger.

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Review: ‘Black Conflux’ is a confident first feature from director Nicole Dorsey

Black Conflux

Small town living can be, in a word, stifling. Yet, as much as it can be peaceful, they can also feel like grue traps, holding you in place. Black Conflux follows two people in small-town Newfoundland whose lives are wholly disconnected, but never the less on a collision course. The inevitability of this collision lends the entire film a sense of menace, dread, and purpose. Being set against the peaceful and serene backdrop only heightens it.

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Fantasia ’21 Review: ‘Yakuza Princess’ is an intriguing setup with lacklustre execution

Yakuza Princess

The largest population of Japanese people outside of Japan is actually located in Brazil. São Paolo, to be exact. Of the roughly twelve million people who live there, more than a million and a half of them are Japanese or of Japanese descent; the legacy of a bilateral agreement between the two nations to promote migration in the late 1910s. This is, in a word, fascinating.

Yakuza Princess is set in this diaspora, the story of an orphaned girl with no knowledge of her past who was secreted away after her family was massacred. Now, of course, she is going to find out, and vengeance will be hers. Eventually.

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