Let’s talk about the end of ‘Loki’


Loki, Marvel’s latest Disney+ television series, ended last night with several surprises, but perhaps the most surprising thing is that it was a season finale –cliffhanger and all– rather than the end of a self-contained series.

There are a few big revelations, so let’s talk about them, what they might mean, and a few thoughts I have on where things might go. Yes, this article will be riddled with spoilers (and assumes you’ve watched the series).

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Review: The first two episodes of ‘Loki’ set up an intriguing adventure


Tom Hiddleston is back as the god of mischief in Disney’s new limited series Loki, and he’s definitely up to no good. Or, maybe a little bit of good. It’s not really clear, but that’s half the fun. Loki has always been in it for himself, but now he has Owen Wilson to add some direction, and the results are good.

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Review: ‘His House’ and the immigrant experience as horror.

His House

“Be one of the good ones.”

It sounds like a nice thing, but what it means is “don’t make trouble. Don’t make work for me.” This is the Britain that Bol and Rial arrive in, and the line they hear from Mark, the man in charge of their asylum status. Having arrived from Sudan, a country ripped apart by tribal civil war, the run-down council house they are given to stay in looks like a mansion. Nevermind the bugs, the rats, the barely functioning electrics, or the smell (“just open the window and let it air out” Mark says).

There’s little that might phase them though, having crossed two contents and a stormy ocean that claimed the life of their daughter. The cold attitude of the social workers charged with helping them is the least intimidating thing they have faced, but it’s also one of the more horrifying things in the film. It’s hard to believe that casting the immigrant experience as a horror film isn’t a well-worn trope at this point because it’s so terrifying, even when you consider the ghosts that have followed them from home.

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