Greetings programs! This week, we dive head first into the world of Wes Anderson with Asteroid City, and then we jump off a cliff with Tom Cruise in Mission: Impossible – Dead Reckoning Part 1. Join us!
Continue reading “Podcast: Asteroid City & Mission: Impossible – Dead Reckoning Part 1”
There really is a whole lot of news each week, isn’t there? This week has seem some pretty big bombs drop such as Kevin Feige working on a Star Wars, VIFF starting up, Jurassic World 3 casting news, Jason Bateman directing news, Phoebe Waller-Bridge gets a truck load of cash from Amazon news, Batman news, Wes Anderson news, and Spider-man is back in the MCU news. Let’s dive right in!
I really miss the sci-fi movies of my childhood. Big, colourful, often funny, always exhilarating; so much fuel for imaginary spaceship battles around my bedroom. I’m sure much of this comes from older eyes and wearier brains, but I find sci-fi these days to be too bland, too unwilling to risk shapes and ideas. The resurgence of *Star Wars* has taken big steps back to the fantasy side of sci-fi, and *Guardians Of The Galaxy* got close with its amazing ship design and snappy script, but I often felt myself seeking more of the *fun*.
Well, not any more. We’ve known for a while that *Thor Ragnarok* would be colourful and funny – director Taika Waititi’s *What We Do In The Shadows* is one of my all-time favourite comedies – but what I was not prepared for was *Ragnarok* having *so* much more. Far from being all-out comedy, it’s a meaty, gorgeous slice of sci-fi bliss.
I love Jeff Goldblum, you love Jeff Goldblum. Here he is doing what he does.
Continue reading “Here’s a Supercut of Jeff Goldblum Stammering.”
Wes Anderson makes a certain flavour of film. I like to call it “Wes Andersony” because he’s the only guy that makes that particular flavour. _The Grand Budapest Hotel_ appears to be the most Wes Andersony film yet. Let’s watch!
You must be logged in to post a comment.