Greetings, programs, and welcome to a very special episode of the podcast. This week instead of our usual two things, we are reviewing one or eight, depending on your perception of the universe. Guillermo del Toro’s Cabinet of Curiosities is an 8-episode horror anthology that is now out on Netflix, and we are looking at all eight episodes. We both have strong feelings about them; listen in to find out what they are!
Continue reading “Podcast: Guillermo del Toro’s Cabinet of Curiosities”Marvel’s Moon Knight is a bit disjointed
Comics are weird. There’s no denying this simple fact, and there’s no use trying. This fact is universal and can be a barrier to entry for new fans. Sometimes 50 years of lore is a lot to wrap your head around. One of the great strengths of Marvel’s ongoing cinematic universe is that initially, at least, it distilled all that lore into something easier to swallow. Twenty-plus films later, its greatest strength is that when a new character walks onto the screen and says, “I’m a man with split personalities, one of whom in the warrior avatar of the Egyptian moon god Khonshu and I’m here to punish the wicked” most people’s reaction will be “sure, that makes sense.”
Of course, this can also be a flaw –as it is with Marvel’s latest series– in which there is so little explanation that there is almost no reason to care. There is no trial by which Oscar Isaac’s Marc Spectre obtained his powers or much in explaining his back story; he walks on-screen fully formed. Well, half-formed, because if you glossed over it in the previous paragraph, this is a man with multiple identities. This show is, in a word, a lot.
Being a lot isn’t necessarily a deal-breaker, but while there are many things to love in this series, there are just as many that make it a complicated watch.
Continue reading “Marvel’s Moon Knight is a bit disjointed”Review: The Grand Budapest Hotel
Wes Anderson is a film maker with a distinct voice. He tells stories with emotional cores and often tells them using characters that don’t always seen to want to, or even know how to, express those emotions and sets them in a world that is just over the border into absurdity and littered with all kinds of fine detail, interesting colour palettes, and now stop motion.
Basically he crafts a whimsical world and then populates it with non-whimsical people.
In any event, The Grand Budapest Hotel may be his best film yet by virtue of the fact that it’s probably the most Wes-Anderson-y film he’s made to date, but in the best way possible.
Grand Budapest Hotel Trailer + Poster: The Most Wes Andersony Wes Anderson Film Yet (Not A Bad Thing)!
Wes Anderson makes a certain flavour of film. I like to call it “Wes Andersony” because he’s the only guy that makes that particular flavour. _The Grand Budapest Hotel_ appears to be the most Wes Andersony film yet. Let’s watch!
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