Greetings programs! Dan Mirvish is an award-winning filmmaker known for films like Omaha: The Musical! and Bernard & Huey, as well as co-founding the Slamdance Film Festival. His latest film is a genre mashup, part thriller and part dark comedy, set in the 1970s and adjacent to the watergate scandal 18 1/2 tells the story of a young transcriptionist who hears the infamous missing time from the Nixon Watergate tapes and the idealistic journalist she brings the story to.
I sat down with Dan on Zoom a few weeks ago and had a great conversation. You can listen to it here on this page or anywhere you listen to podcasts. I hope you enjoy it!
Continue reading “Interview: Director Dan Mirvish on his latest film, the 70s set Watergate thriller-comedy ’18 1/2′”
There are many theories about the missing 18 1/2 minutes of Richard Nixon’s White House recordings. At a time of heightened controversy –thanks to Watergate and the ensuing investigations– the gap in recordings created a convenient slot into which a persons conspiracy theory of choice might fit.
Dan Mirvish’s new film 18 1/2 explores a quaint, yet zany, moment of alternate history where the tape itself was taped and a young transcriptionist secrets it away from the White House to listen to it with a journalist. Hilarity ensues when they check into a small town motel to do just that.
Continue reading “WFF ’21 Review: ’18 1/2′ is an amusing genre mashup”
There are few things more frustrating than getting yourself hyped up for something and then not connecting with it. It’s a perfectly human thing to do; we love the things we love, and when something looks like a thing we might love, it’s natural to get excited about it. This is the case with myself and Werewolves Within, a movie based on a game where you sit in a room with a bunch of people and one of them is a werewolf. This premise, the single location mystery, is exactly my jam.
Now, the opening paragraph of this review might lead you to think that the movie is bad and let me stress right now that it isn’t. It has a lot going for it, including two fun performances and some excellent direction, and a few genuine laughs, but not enough for me to love it. In fact, barely enough for me to like it.
Continue reading “Tribeca 2021 Review: ‘Werewolves Within’ is fine. It’s fine. It’s totally fine, team.”
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