Matthew, Author at Awesome Friday!

10 January 201329 June 2018

Matt’s Most Anticipated of 2013

2012 was one of the best years for film that I can remember and I’m honestly hoping that 2013 meets or beats it in terms of number of quality releases, and more importantly in the quality of those releases. There’s a lot coming out this year so here’s the ten that I am looking forward to most.

I’m listing these in order of release and not order of anticipation, partly because I find them hard to rank but mostly because I am looking forward to them all for different reasons.

And with that, here are the movies I am most looking forward to this year.

### Gangster Squad (11 January)

I’ve actually been waiting for this since last year since its original 2012 release was pushed after the Aurora Shooting.

Ryan Gosling, Josh Brolin and Sean Penn in an old school cops vs. gangsters film is a hard recipe to screw up. I love the cast, I love the premise, and while director Rueben Fleischer has only made a couple of films, they were both good and he’s made a host of music videos and commercials which were also good.

I worry about the [re-shoots that happened following Aurora last year](http://en.wikipedia.org/wiki/Gangster_Squad#Association_with_the_2012_Aurora_shooting) but not very much considering the scene had just been relocated and re-staged rather than excised entirely.

### The Place Beyond The Pines (29 March)

Yes, another Ryan Gosling movie. It’s true: I’m a fan of the baby goose. More than that though, I’m a fan of Ryan Gosling because he’s a great actor.

Gosling previously teamed with director Derek Cianfrance in 2010s _Blue Valentine_ and in that film both Gosling and co-star Michelle Williams knocked it right outta the park. Seriously, if you haven’t seen that movie just go find it and watch it (but be aware, it has some hard to watch scenes).

Ryan Gosling playing a stunt bike rider robbing banks to provide for his son while being chased by Bradley Cooper as a cop mixed up with some crooked colleagues? It’s an intriguing set up and one I can’t wait to see.

### 42 (12 April)

I’ll admit this one is a bit of a wild card pick; chalk it up to my love of baseball. On the other hand this is the story of a modern American legend in Jackie Robinson and it’s being directed by Brian Helgeland, the guy who wrote _L.A. Confidential_, _A Knights Tale_ and _Mystic River_. There’s a lot to like about that fact alone but when you add in Harrison Ford as Branch Rickey (the guy who dared to sign Jackie Robinson in an era when racism was still an OK thing) things get more interesting.

Chadwick Boseman is a relative newcomer here, but if this works out this could be a star turn for him and I’m always interested in seeing that.

### Iron Man 3 (3 May)

I’m a huge Marvel geek and I’m a huge fan of their grand experiment to bring comic book continuity to the big screen. If you’ve been paying attention you may have already [gotten this impression](https://awesomefriday.ca/2013/01/matts-best-of-2012/ “Matt’s Best of 2012”).

Robert Downey Jr. is among the best cast of the Marvel Heroes currently on screen and it’ll be a pleasure seeing him as Tony Stark again. Hell, even in the kind of boring Iron Man 2 he was fun to watch and with Shane Black directing and Don Cheadle returning as James “Rhodey” Rhodes/War Machine one can only assume that there’ll be some great “buddy cop” kind of sequences as they battle the armoured bad guys.

Sir Ben Kingsley is playing the Mandarin, a character with supernatural powers in the comics, so it will be cool to see how they reconcile that with the technological world of Iron Man (that is, does he even have his powers or are The Ten Rings from Iron Man all he controls or will they be technological or what?).

Another exciting tidbit is that the story is based on _Extremis_ by Warren Ellis, which is one of my favourite Iron Man stories and sees Tony Stark go through some interesting stuff.

Plus, this is the first film in Marvel’s second phase so I’m looking forward to seeing if I can pick out any world building or portents that’ll give me an idea what they’re planning for Avengers 2.

### The Great Gatsby (10 May)

F. Scott Fitzgerald’s _The Great Gatsby_ is an American classic, a fact that even though I am a Canadian I can certainly appreciate. I’m not going to sugar coat this though: I’ve never actually read it. I’ve always meant to but for some reason it’s just never happened.

Now there’s this, Leonardo DiCaprio re-teaming with director Baz Luhrmann in what looks to be a perfect part for the former and potentially the best looking film from the latter. The film is full of talented people not the least of which is Carey Mulligan who has shone brightly in everything I’ve seen her in, even as Sally Sparrow in Doctor Who.

Plus, if it turns out to suck I won’t have to be bothered by how the movie was a crappy adaptation of the book.

### Star Trek Into Darkness (17 May)

To say I am anticipating this film is an exercise in understatement. Understand that I am a life long Star Trek fan, some of my earliest memories are watching The Original Series with my father. I’ve seen every episode of every show (including the animated series) and every movie. In 2009 JJ Abrams brought Star Trek back to the big screen in a big way and I _fucking loved it_.

Long story short: if this list were ranked, Star Trek Into Darkness would be #1 on the list.

I happen to think that the previous film was nearly perfectly cast so I seriously can’t wait to see the whole crew back again. Yes, even Chris Pine. More importantly, I can’t wait to see Benedict Cumberbatch as the villain in this. So far I’ve only really seen him play good guys so it will be nice to see him put on his evil face. The man is a hell of an actor and this will very likely be a hell of a film.

There’s so much more I could say here, but the bottom line is this: _is it May 17th yet???_

### Much Ado About Nothing (7 June)

So apparently while filming last years _The Avengers_ Joss Whedon called up a bunch of his friends and shot an adaptation of Shakespeare’s _Much Ado About Nothing_ in his own house over 12 days or so.

Let’s rephrase that: the guy making the biggest film of last year made an indie Shakespeare adaption in his home in his spare time. That alone is pretty cool.

But this is also Joss Whedon we’re talking about here. Love him or hate him he’s certainly done some interesting stuff and is really good at managing large casts. I’m also just curious to see what he does with Shakespeare and how he worked his house into the film.

Plus, this is full of his buddies like Nathan Fillion (playing Dogberry), Amy Acker (Beatrice) and Clark Gregg (Leonato).

So basically it’s a bunch of awesome people doing a version of a play by the greatest playwright ever as adapted by a fantastic director. So where do I sign, exactly?

### Pacific Rim (12 July)

Let’s see, director with a crazy and unique visual style? Check. Giant Monsters? Check. Giant Robots fighting those monsters? Check. Two people whose minds link via a computer voiced by the same actress as GLaDOS from Portal? Check. A cast including Idris Elba and Charlie Hunnam? Check.

I dunno, maybe this movie wasn’t made for me specifically but there’s certainly a lot of boxes checked off here.

Plus, it’s a disaster movie where people are fighting for humanity as a whole to survive (check) against ridiculous odds. I’m sure that the giant robot that turns the tide will be obsolete or broken or something too but cliches done well are still entertaining as hell, and Guillermo del Toro is a pretty great director so I have little doubt he can pull this off.

### The Worlds End (25 October)

Simon Pegg, Nick Frost and Edgar Wright are finally going to release the third in their “Three Flavours Cornetto Trilogy” each of which has been an homage to a certain type of film so far (if you’ve been hiding in cave these last few years, _Shaun of the Dead_ was zombies and _Hot Fuzz_ was buddy cop action).

In addition to apparently featuring the mint chocolate chip cornetto, apparently the boys will be on a massive pub crawl towards The World’s End Pub and the world might actually be ending while they do it. That description alone is enough to get me in theatres but rest assured the film will be full of their signature comedic style and mile a minute on the nose pop culture riffs that made the previous two films (and the series they did, _Spaced_) so laugh out loud funny.

### Enders Game (1 November)

I am of the opinion that if you have never read Orson Scott Cards phenomenal book _Ender’s Game_ you should probably stop reading this **right now**, go find a copy and read it. There’s even a fantastic [graphic novel adaptation](http://www.comixology.com/Enders-Game/comics-series/8011 “Ender’s Game on Comixology”) if you’re so inclined. I’ll wait here while you do that.

…

All done? Good, then I don’t have to spoil anything. Now do you see why a movie version of this could be amazing? Harrison Ford as Commander Graff and Sir Ben Kingsley as Mazer? Asa Butterfield as Ender himself? There’s not a lot to dislike here. Well, except that Gavin Hood is directing, but remember that while he did direct _X-Men Origins: Wolverine_ he also directed (and won an Oscar for) _Tsotsi_, which is an amazing film.

### What’s Missing?

There’s certainly a lot more than 10 films coming out this year and more than 10 that I am quite looking forward to. _Thor: The Dark World_ (8 Nov) and _Elysium_ (9 Aug) both only missed being on the list by the skin of their teeth –if I wasn’t a baseball fan you can bet one of them would have made it– and then there’s the Spike Lee remake of _Oldboy_ (11 Oct), _Man of Steel_ (14 Jun) trying to get Superman right for the first time in decades and Tom Hanks playing Walr Disney in _Saving Mr. Banks_ (20 Dec) and _Movie 43_ (25 Jan) doing it’s best to offend, well, everyone it seems.

It definitely looks like it’s going to be a good year for genre film in particular this year, which means this is going to be a good year for nerds like me.

You may have noticed that I didn’t mention _The Wolverine_ (26 Jul) or _The Hobbit: The Desolation of Smaug_ (13 Dec) and that’s because while I am looking forward to both of these I’m not really excited to see either. That might change once I see some trailers though so time will tell.

Sometime toward the end of 2013 I plan to revisit this list and recap whether I was excited to see the terribly great or the greatly terrible. In the mean time, what are your most anticipated films of the year?

9 January 201312 November 2023

On Frame Rates

This past weekend, I finally had a chance to see The Hobbit: An Unexpected Journey for the second time and this time, I saw it in the shiny new HFR format. You’ve probably heard, at least in passing, some of the hoopla about this because not only is The Hobbit the first film to be shot and projected this way, but many critics really do not like it.

For those living under a rock, HFR is short for High Frame Rate. Film for my entire life and many years before has been projected at 24 frames per second (FPS). This wasn’t always the case, but suffice it to say that if you’re alive now, chances are you’ve only ever seen 24 FPS projection (except maybe at a museum or something).

Why is this important? Mainly because 24 FPS isn’t really high, and many things in movies work because your brain has to fill in so much information between the frames that many effects –whether practical or digital– only work well because of what isn’t on-screen.

HFR filming and projecting now double that frame rate to 48 FPS, and the result is that, basically, your brain doesn’t have to work as hard, and everything looks much, much, much clearer.

So, what does this mean to me? Quite a bit, as it turns out: I like it. I actually like it quite a bit.

This means I disagree with most of the critics, but from what I’ve read, most are just saying, “It doesn’t look like a movie”, which simply isn’t true. It does look like a movie; it just doesn’t look like movies always have.

There are two noticeable side effects of HFR. The first is that things seem to move faster. This is because your brain isn’t filling in so many gaps like I mentioned above, but honestly, this one goes away quickly. It took me maybe 10 minutes to get used to how things appeared in HFR, but once I was, I felt like I was seeing a movie for the first time.

The other, more significant problem is that because there’s so much more information on-screen and because there are so many effects in this movie, a lot of them are a _lot_ easier to see, and that can sometimes kick you out of the dream, as it were. Some people have complained about being able to see make-up effects and props (hello, rubber swords!) more quickly, but this didn’t bother me as much as the digital effects. Green-screened shots are apparent, and CGI looks… well, not cheap, but certainly easier to spot.

But these quibbles will go away as effects get better, and as more films shoot this way, they’ll have to improve.

I’m not going to lie to you; the technology is new and exciting and not quite there yet, but I, for one, can’t wait until HFR is the norm because all our movies are going to look a hell of a lot better once it is.

1 January 201314 December 2021

Matt’s Best of 2012

It is now 2013. Another year is over, so here’s a brief look at what I thought of 2012.

Favourite Film – The Avengers

There’s so much I can say here but what it comes down to is that I’ve been waiting for this film for basically my entire life. Having been reading Marvel comics since I was a kid seeing all these characters brought to the big screen in a way that doesn’t suck on their own was good, seeing them all on-screen together in a way that doesn’t suck is fucking amazing. Because let’s face it: a lot of superhero movies suck.

You see it’s not just that this is a good film that makes it my favourite of the year, hell I’ll even admit that there are a bunch of objectively better films that came out this year, but The Avengers is the geek dream realized: comic book continuity brought to the movies. Proof that you can create an entire universe in film and the masses won’t reject it. Proof to the studios —finally— that their audience is full of intelligent people who are looking for an interconnected film series with characters that stand both on their own and as a team in a single universe. Yes, I realize I just said the same thing three times. If you think The Avengers isn’t a milestone in filmmaking consider this: Fox just hired Mark Millar to oversee X-Men continuity. DC had the ending of Man of Steel retooled to leave it open for a Justice League style team-up movie down the road.

And aside from all that, it’s just a damn good movie. It’s near-perfectly cast, they’re all clearly having fun, Joss Whedon’s script is lively and full of humour, and it features one of the best action set pieces of the year. Who knew basically destroying New York could be so fun? More than that though, Joss Whedon understands that what makes a large cast work isn’t the action or the bad guy’s plans, it’s the relationships between the characters and he completely nails this aspect of the film.

At the moment when The Avengers finally assemble for the third act of the film, I was one of the people standing and cheering, and I fully expect that the next time they assemble, I will be again.

Honourable Mentions

“I don’t want to talk about time travel, we’ll be here all day.” is my favourite line from Looper. This is the scene in which writer/director told us “stop worrying and enjoy this story because the story is what matters.” All of this is completely true. Looper is a film that tells you that it’s about time travel, but it’s really about love. That message, coupled with fantastic performances from the cast, a brilliant script make this a must-see.

Skyfall is the best James Bond story in years. It’s also the third act in a larger story that sees the latest Bond become fully realized and ready to move the franchise forward. Combine that with some of the best action direction of the year from Sam Mendes, and you’ve got a recipe for a great movie, which this is.

If you’d told me last year that one weekend in the summer all the guys I knew would be in a theatre watching a movie about a teddy bear (and all the girls were watching a movie about a stripper), I’d probably have given you a funny look, but that’s pretty much exactly what happened when Ted came out. It takes the ageing buddy movie schtick and manages to make it fresh again, it’s hilarious from start to finish, and it gives Mila Kunis a character to play. What more could you want?

Favourite Game – Punch Quest

I actually struggled with this category because, in all honesty, I don’t really have that many memorable gaming experiences from the year. There were a few flash-in-the-pans like Borderlands 2, but it ended up not holding my attention for more than a couple of weeks. Punch Quest, however, I can’t seem to get enough of.

There’s not really that much new stuff here; it’s an infinite runner that features punching. Strange at it may seem, that simple addition makes it completely addictive. Like all good single-player games, it engages me to keep playing by asking me to compete with myself and also by offering upgrades that make the punching cooler, routes that lead to boss battles or treasure troves, and a host of other “I can’t wait to see what comes next” moments in the gameplay.

Biggest Disappointment – The Dark Knight Rises

You know I could go on and on and on about The Dark Knight Rises, but I am not going to go into specifics because I already did on the podcast but also because the specifics don’t really matter.

Sure, there are plot holes that you could drive a bus through, and there’s a lot of them, but you know what? Batman Begins and The Dark Knight both have some pretty big holes in them too. The difference is that where Batman Begins and The Dark Knight are both compelling stories, and The Dark Knight Rises is not.

Batman Begins had Bruce Wayne training and learning to become Batman. The Dark Knight pitted Batman against The Joker, his philosophical opposite. The Dark Knight Rises had Batman face off against his equal after learning to become Batman again, twice. This is not compelling; it’s repetition. Bane, despite Tom Hardy wearing the mask, isn’t interesting and a last-minute twist robs all his characters weight.

I feel like Christopher Nolan might have been going for fan service with this one (and let’s face it if the story were a comic book few people would complain because comics are strange), tried to work too much into the story and the end is a non-compelling mess.

And how did Bruce Wayne get halfway around the world with no money or ID in just a few days and then enter Gotham while it was on a total lockdown, anyway?

Dishonourable Mentions

Halo 4 may have made all the money, but I personally didn’t connect with it in the same way that I did the previous 5 entries in the franchise. I can’t quite put my finger on why, but every time I got stuck I got frustrated rather than spurred to push harder as I did in Halo: Combat Evolved, Halo 2, Halo 3, Halo: ODST and Halo: Reach.

Prometheus was meant to be Ridley Scott’s triumphant return to SciFi and the Alien franchise. It’s pretty safe to say that this was one of my most anticipated releases of the year, so when it turned out to be a convoluted mess, you could say that I was disappointed. Listen to the podcast episode in which we talk about Prometheus to get a better idea of how I felt.

Top Three I haven’t Seen/Played

I’ve tried to see Django Unchained twice now and both times I’ve gone down to the theatre every show has been sold out. Love it or hate it, people are certainly seeing it. I have mixed feelings about Tarantino as a whole, but I loved Inglorious Basterds, and this one looks to be right up the same alley of bloody American history.

I’ve heard very mixed things about Les Miserables but I very much want to see it for myself. I love the idea of live singing in a movie, but I can see where that might detract from the show as well. Plus it’s full of people that I like, including Anne Hathaway and Hugh Jackman.

The C.I.A. says that Zero Dark Thirty isn’t realistic but I’m not sure I care. I’ve yet to hear a bad review, and it has one of the more interesting production histories of the year. Plus, Jessica Chastain. Just sayin’.

Conclusion

That’s about all I have for 2012. All in all, it was a pretty good year for film for me, but not so much for games. Hopefully, that changes in 2013!

Be sure to check out Simon’s Best of 2012 before you go, and have yourself a great 2013!

26 February 201212 March 2023

Oscars 2012 Live Blog

Oscar night and I’m going to live blog the show. I was having trouble deciding where to start writing for the site and this seems like a golden opportunity really, just up and said “hey write about me!” So that is what I am doing. I will of course time stamp my thoughts as I have them, and hopefully provide you with enough context that you can read them without needing the show to be on in the background for you to understand what the hell I am talking about.

17:22: just getting set up with a place to write and record. Red carpet stuff is almost over, the show is about to start! Is a good thing we’re doing this without a screaming baby around. Oh, wait…

17:30: Aaaaaaaand show starting. Morgan Freeman on stage. He’s welcoming us to the show, and also Billy Crystals parody montage.

17:35: Montage over. "Say ‘I’m Batman, it’ll help me!’" was hilarious, but all the jokes are pretty …. Uh… Safe. I have a feeling this will be indicative of the rest of the show as well.

17:37: "Nothing takes your mind off these economic times like watching millionaires give each other golden statues.". Awesome, if a little obvious. Now the singing. Oh the singing. If only Billy Crystal could sing.

17:41: I should probably point out how cynical I am about the Oscars this year, in case it hasn’t come through yet. I have a bad feeling there’ll be no risks taken tonight, and the jokes aren’t that funny so far.

17:43: First award is the cinematography. Hugo wins. Second up is art direction. Hugo wins again. I haven’t seen this yet, but from what I have seen the film is gorgeous so this makes sense. I have no strong opinions about this either way really.

17:47: WTF is the band doing up in the box seats? Going back to Billy Crystal for a second my question is this: why the hell don’t they just get Hugh Jackman back again? Seriously; his song was way better and unlike Billy Crystal, he can actually sing.

17:52: And now a montage of iconic moments in film. Brett from Flight of the Conchords is in the audience and I blew Simons’s mind by telling him that Brett is nominated for the songs in The Muppets.

17:55: The Artist wins Best Costume Design. Not surprised. Everyone looked great in it. The Iron Lady wins for Makeup. They did do a. Good job of turning Meryl Streep into Mrs Thatcher and then ageing the crap out of her.

18:03: Montage of actors talking about their first movie-going experience. Mostly boring except that Brad Pitt dropped "War of the Gargantuas" which is kind of amazing. This is a movie which you need to see if you haven’t.

18:05: Sandra Bullock takes the stage. She’s about to speak Chinese. In German.

18:07: A Separation wins best foreign film. Iranian Film is meant to be gorgeous. We wonder if it’s a political decision at all, but it is meant to be an amazing film. Is that too cynical? I can’t tell anymore.

18:09: Christian Bale on stage to give away the Best Supporting Actress trophy. Still hoping for Jessica Chastain. Simon and Wife taking the piss out of Christian Bale’s accent. Funny, most Brits I know do this, take the piss out of every other Brits’ accent.

18:12: Octavia Spencer wins for The Help. Everyone is on their feet. Kind of brilliant. She was amazing after all. I maintain that the Octavia Spencer/Jessica Chastain storyline in The Help was the best part of the movie.

18:17: So far Sandra Bullock speaking Chinese in German, Iranian Director giving a political speech for his acceptance, and Octavia Spencer winning are the best moments of the show.

18:18: Ooooh Billy Crystal makes a joke that’s actually funny. "45-minute drive indeed."

18:20: Christopher Guest and co doing what appears to be ad lib focus group for Wizard of Oz. Kind of right up my alley. "I didn’t like it until the flying monkeys." Fred Willard FTW.

18:25: Girl With The Dragon Tattoo picks one up for best editing. Hugo for Sound Editing and Sound mixing. I really wanted Drive to win for sound editing, if only so that it could have an Oscar. I kind of wish that Transformers won for sound editing just to see everyone’s reaction and also the DVD cover a Transformers film that reads "Oscar Winner."

18:32: Can we have more Fred Willard, please?

18:34: Muppets on camera. It’s a good thing.

18:35: Cirque du Soleil interprets "going to the movies" in dance. This could actually be pretty interesting.

18:39: I wish that at some point in my life, I could be half as athletic as someone from Cirque. Seriously.

18:41: Robert Downey Jr and Gwyneth Paltrow presenting for documentaries. Not being very funny. Fuck I didn’t see any documentaries this year at all. Undefeated wins. Yay?

18:44: Huh, first instance of someone being played off. Even cut off the mic on the guys who won Best Documentary. Not really fair considering there were six of them.

18:46: Best Animated film is Rango. Fucking amazing since it’s clearly the best-animated film from 2011 and Gore Verbinski is overdue. Maybe a bit surprising that the film that was the best was chosen.

18:50: Any voice actors in the audience? I’d like to hear what you have to say about Chris Rock’s little description of your job. I’d be willing to bet that you’re maybe wanting to go all Hulk SMASH right now.

18:54: Emma Stone is amazing. That is all.

18:55: Lots of good choices for visual effects but Hugo wins. Seems like Hugo is going to win all the technical awards. I wonder how that bodes for the beat picture/director awards… No, I don’t, it bodes poorly.

18:59: Best Supporting Actor award. Christopher Plummer wins! Yes! About time. He’s generally speaking always great.

19:10: You know, I think they should just let the hosts of these shows run wild. When these jokes are so blatantly scripted they aren’t funny. If they’d just let them ad-lib and make fun of the audience it might actually be good. So far Billy Crystal’s best jokes have all been off-the-cuff remarks, like the one to the president of the academy, "mister excitement."

19:13: The Artist is totally going to win Best Score.

19:14: The Artist won Best Score. I mean, how could it not? The film is all music. On top of that, the score is really good, too. Also, John Williams had two nominations for the same score. YEAH, I SAID IT.

19:18: Will Ferrell and Zach Galifianakis presenting for best song. Muppets to win, right?

19:19: Bret Harrison of Flight of the Conchords is now an Oscar-winning musician. Fuck Yes. Muppets FTW.

19:25: is it just me or is Angelina Jolie not looking super healthy? She looks like a stick figure. Either way, The Descendants just won best-adapted screenplay. I’m sure it’s great but I was really pulling for Moneyball.

19:29: I really hope Woody Allen wins for best original.

19:30: Woody Allen wins. Fucking A. I’d really like to see him win best picture as well but don’t see it happening.

19:37: You know, the technical awards should get more than just a 2-minute recap. But maybe I’m a huge nerd.

19:39: Maya Rudolph and Kristin Wiig making innuendo about short vs long films should be cliche but somehow is just funny.

19:42: Are all the best documentary nominees seated in the nose bleeds? Do they get to give their speech after the next awards when they finally get to the stage?

19:45: That’s a capitol hat the guy who won for best animated short is wearing. Jaunty angle as well.

19:50: Michael Douglas is a clone of Kirk Douglas right? Time for the best director. Thinking that The Artist will likely win. If something I don’t want to win is going to win though, let it be Hugo. If something I want to win wins let it be Midnight in Paris.

19:53: aaaand The Artist wins for best director. Le sigh.

19:57: Governors awards. Again, wish they weren’t given such a brief recap. Just make it part of the show. Or, better yet, replace the red carpet BS with them.

20:00: Only best actor, actress, and film are left. Not hopeful for anyone involved in films that don’t rhyme with "de smartest."

20:03: Time for the in memoriam. Usually, this is when we get to hear how famous people were by how loud the crowd claps, but no one is clapping. Fucking finally.

20:13: ok the show is starting to feel dragged out. But at least Natalie Portman is on stage to give ay the best actor award. I’m sure Rene Dujardin will win, but we’ll see. Nice little unspoken exchange between her and Gary Oldman as she talked about his performance in Tinker Tailor.

20:18: Jean Dujardin wins. Not surprised in the slightest. Don’t get me wrong, while I didn’t think the movie was worth all the awards it’s winning or even like his character? He did a brilliant job. That said, GARY OLDMAN WAS NOMINATED.

20:24: Here’s Colin Firth to give the best actress award. No idea who it will be. Meryl Streep won the BAFTA but that’s British isn’t it. Viola Davis needs to win, Rooney Mara I want to win, but I have a feeling it’ll be Bernice Bejo.

20:29: Oh wait Bernice Bejo wasn’t nominated. Fuck. I had kind of assumed that she was. Either way, Meryl just won and it’s about fucking time. Even if Viola Davis should have. But seriously, about time. 13 nominations between wins?? Too many.

20:32: Tom Cruise to present best picture. With a montage. It’ll be The Artist, but I really want it to be … Well, they’re all good, but Midnight in Paris. Or Moneyball.

20:36: And The Artist wins. Quel surprise. Between Hugo cleaning up the technical awards and The Artist cleaning up everything else it doesn’t seem like anything else won much of anything.

You know, this ceremony wasn’t very exciting. I hope next year there’s some risks, some more varied choices, and that the theme is a little more specific than "we like movies.". I’m going to sleep on it and recap in a day or two with more feelings on who won and who didn’t but long story short: boring, Emma Stone hot, Angelina Jolie not hot, and very few surprises.