Todd Haynes movies, love ’em or … not? Wait, does anyone not love Todd Haynes movies? Anyway, the point is that the man is a consummate visual storyteller, and in that regard Wonderstruck might be his magnum opus. There two main stories, one set in the 1970s and another in the 1920s, each with a child protagonist and each moving in their own ways. If you’re thinking that they might be connected, yes, of course they are both to each other and a third story told later in the film.
It would have been easy to adapt this story, a kids novel, for kids but Wonderstruck is a moving tale for all ages.
Continue reading “VIFF Review: ‘Wonderstruck’ is a magical, moving tale for all ages”
How far would you go to get an A in school? Bad Genius tells the story of a group of kids who want (or need) to get high marks but don’t want to put in the work, and it tells that story both slickly and hilariously.
Continue reading “VIFF Review: ‘Bad Genius’ is a slick caper film”
It’s easy to say that Columbus is architecture porn for one good reason: it is architecture porn. Video essayist Kogonada’s feature film début frame buildings in ways that I can’t recall seeing them framed before: not only in just the right light and at just the right angle, but with just the right context. This is why it’s misleading to say that it is architecture porn: because it’s so much more than that.
Continue reading “VIFF Review: ‘Columbus’ is one of the years best”
Lipstick Under My Burkha is a hilarious movie that explores the daily lives of women in India. It’s also a heartbreaking movie that explores the daily lives of women in India. It’s a movie that has to be hilarious because if it wasn’t, it would just be heartbreaking, and it’s important that this story end with some hope.
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An older man, Orlando, spends a day at a spa and then heads to a night club to see a woman sing. She is his girlfriend Marina, and they are very much in love. After the performance he takes her to dinner, and later at home they make love against the floor to ceiling windows of their shared apartment. Later that night he falls ill and they rush to a hospital where he dies and she is immediately treated like a criminal. Not, however because of the bruises on his torso and the impact wound on his head he obtained from falling down the stairs on their way to the car, but because she is transgendered.
The rest of A Fantastic Woman follows Marina as she copes with not only losing the love of her life but also coping with the prejudices of the the doctors, the police, and the bulk of her lovers family. It’s not the easiest watch but it’s vital one.
Continue reading “VIFF Review: ‘A Fantastic Woman’ is a beautiful, important movie”
The rivalry between Bjorn Borg and John McEnroe was one of the ages, and their match at the 1980 Wimbledon Championship is probably one of the greatest matches in the history of tennis. Borg, on track to win his fifth consecutive title had a reputation as being cool and graceful under pressure. McEnroe, the new comer at the beginning of his ascendancy had a reputation as a hot head who regularly threw tantrums on the court and argued with umpires. Even their styles of play were opposite with Borg playing from the baseline and McEnroe rushing to the net. Literally everything about this match makes it ripe for a great movie which is why it’s so frustrating that it isn’t one.
Continue reading “VIFF Review: ‘Borg vs. McEnroe’ is frustratingly not quite good (but Shia LaBeouf is great in it)”
People are going to compare God’s Own Country to Brokeback Mountain. It’s inevitable because they cover much of the same ground: two men spending time away from the world and looking after a herd of sheep form a relationship. That isn’t completely unfair because the basics are remarkably similar but also because they’re both great movies.
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Guy Maddin makes weird films. This isn’t a complaint, it’s a compliment of the highest order. In a world where studios are making only the safest of choices on a daily basis weird, experimental film is always some of the most important film around. The Green Fog is no exception: it re-imagines Hitchcock’s Vertigo using clips from other films (new and old) and television from the 70s and 80s –all also shot in San Francisco–, and only one single shot from the film itself.
It’s something else and the fact that Kronos Quartet were there to play the original score live made it truly a once in a lifetime experience.
Continue reading “VIFF Review: ‘The Green Fog’ with Kronos Quartet playing live was something else.”
Have you ever watched a scene in a foreign film and thought “something must have been lost in translation”? The Hidden Sword is an entire movie like that.
Continue reading “VIFF Review: ‘The Hidden Sword’ is a muddled mess with some awesome martial arts action”
I really like movies about making movies. I think they’re a fun way to explore and poke fun at the film making business. I also like period set comedies, in particular those set in the late 40s and 50s. I like the design sensibilities and I feel like the feel good image of that era that still lingers today is one ripe for subversion. Also also, I really like Penelope Cruz. I think she’s a dynamic and interesting screen presence.
The Queen of Spain then is a movie that should be right up my alley: it’s a period set comedy about making a movie starring Penelope Cruz. Turns out it’s not though.
Continue reading “VIFF Review: Penelope Cruz can’t save ‘The Queen of Spain’”
Fascism is on the rise in the world. It’s easy living on this continent to forget that it’s happening elsewhere. In The Fade isn’t directly about the resurgence of Nazism, but those themes never the less play an important part in this story of family, justice, and revenge.
Continue reading “VIFF Review: ‘In The Fade’ will net Diane Kruger all the award nominations”
Director Mina Shum is back, people. Meditation Park is the latest film from the Vancouver director and the latest to explore the immigrant experience with a woman finding empowerment. You know what? It’s a damn delight, too.
Continue reading “VIFF Review: ‘Meditation Park’ is just lovely”
Andrew Garfield has a marvellous gift: when he smiles he does so with his entire face, including his eyes. This may sound like a weird thing to start a review with but when you’re talking about a film where he has to lay completely motionless save for his face it kind of becomes a big deal.
Continue reading “VIFF Review: ‘Breathe’; Andrew Garfield & Claire Foy are great in this OK film.”
Thelma begins with two things. First, a warning that if you have epilepsy the movie might set it off and second, a father and his young daughter walking in the woods, hunting. The girl sees a deer and inches forward, transfixed. The father readies his gun and aims at the deer and then slowly changes his aim to the back of his little girls head. He doesn’t pull the trigger it’s clear from the get go that he desperately wants to. Then the movie starts to get interesting.
Continue reading “VIFF Review: ‘Thelma’ and the existential dilemma that is becoming yourself”
A man lives alone in a small house in town so small you’d probably miss it if you blinked driving down the highway. He’s never been married, he has no kids. He starts each day with a cigarette, a vigorous yoga routine in his underwear, and the walk into town to do his morning crossword and see his friends.
I’m sure this wasn’t exactly Harry Dean Stanton’s real life but Lucky is clearly a movie about Harry Dean Stanton.
Continue reading “VIFF Review: ‘Lucky’ is the perfect swan song for Harry Dean Stanton”