Imagine for a moment a film full of Oscar-winning actors you love, written by a Pulitzer prize winner whose work you adore, directed by a director with a solid track record, and that pays homage to some of the great mystery stories of all time. Now imagine that it isn’t very good.
Ford v Ferrari is a lot of things: a showcase for two of our greta actors, one of the best car racing movies ever made, a compelling drama. At its core thought it’s a story of two men completely dedicated to what they do, and doing it in spite of the system they work in and the company they work for always asking them to make concessions.
Make no mistake, _Ford v Ferrari is an underdog story, but Ford isn’t the underdog and Ferrari isn’t the villain. The underdogs are Carroll Shelby and Ken Miles, toiling away at making the best car in the world while their bosses are telling them to make the best Ford.
There’s a metaphor for filmmaking in there, somewhere.