Passing feels like it might be the most appropriate to the format in a year full of exceptionally shot black and white films. Chronicling the story of two black women in the 1920s –one of whom is passing for white, and all the complications that entail, it’s a heartbreaking story elevated by the central performances from Tessa Thompson and Ruth Negga.Continue reading “Review: ‘Passing’; Rebecca Hall’s directorial debut is a heart-rending film with two exceptional performances”
I really miss the sci-fi movies of my childhood. Big, colourful, often funny, always exhilarating; so much fuel for imaginary spaceship battles around my bedroom. I’m sure much of this comes from older eyes and wearier brains, but I find sci-fi these days to be too bland, too unwilling to risk shapes and ideas. The resurgence of *Star Wars* has taken big steps back to the fantasy side of sci-fi, and *Guardians Of The Galaxy* got close with its amazing ship design and snappy script, but I often felt myself seeking more of the *fun*.
Well, not any more. We’ve known for a while that *Thor Ragnarok* would be colourful and funny – director Taika Waititi’s *What We Do In The Shadows* is one of my all-time favourite comedies – but what I was not prepared for was *Ragnarok* having *so* much more. Far from being all-out comedy, it’s a meaty, gorgeous slice of sci-fi bliss.
Apparently this movie was a bit of a hit at Sundance. It’s not hard to see why.