Review: ‘The Humans’ uses horror tropes to heighten family drama despite not being a horror movie

The Humans

While a family dinner can be a daunting prospect, I don’t know that I would call it a horror story. Of course, there is always drama and expertly deployed guilt and passive aggression, but it’s not like a demon is going to crawl out of the walls and eat everyone. The Humans, directed and adapted by Stephen Karam from his own Tony Award-winning play of the same, uses that feeling, that spectre of something waiting to cause harm, to heighten and enhance the drama around family dinner, and it works to great effect.

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Review: ‘Palmer’ is pretty good!

Palmer

Here’s a confession: I love Justin Timberlake. The guy is a triple threat. He can sing, he can dance, and he can act. Not everything he has been in has been gold, but he’s put in enough good performances that I am ready and willing to see just about anything he is in these days.

It has been a few years since Timberlake has been seen in person in a film, and Palmer represents exactly the kind of movie that an actor looking to re-assert themselves after a bad role or an absence (or both) would take. So is it any good? Yeah. Mostly.

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