Fantasia Review: ‘Perdida’ is a satisfying thriller

Perdida (Large)

There’s a lot I wish I could tell you about Perdida, but it’s one of those thrillers full of twists and turns, and almost everything I want to tell you is probably a spoiler. What I can tell you is the following.

Eric, a man in crisis, meets Fabiana, a waitress serving him whiskeys all night. Eric is obviously going through something. He ends up blackout drunk and passes out on her couch. After awkwardly running out, he returns to apologise, and they begin a torrid affair.

Fabiana joins him at his luxurious, remote house and over several days, she comes to enjoy the new man in her life and the comforts of his home. However, it quickly becomes apparent that something isn’t quite right. Something is definitely off between the weird groans coming from the pipes and the police officers who show up looking for Eric’s wife, Carolina.

It probably sounds like I am spoiling the movie, but rest assured that this is only a brief outline of the film’s first half-hour.

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Fantasia Review: ‘Crazy Samurai Musashi’ is a technical marvel, but exhausting

Crazy Samurai Musashi (Large)

If there is one thing that a film nerd loves, it’s a good long take. A long take needs planning and rehearsal; the longer the long take, the more planning and rehearsal it will require.

Spielberg and CuarĂ³n use them frequently. Martin Scorsese probably produced the most famous long-take scenes in Goodfellas, and Park Chan-wook produced one of Oldboy’s most famous action long takes. One of the more ambitious examples is the historical epic Russian Ark, which runs 96 minutes and is entirely one take.

The envelope is constantly being pushed in filmmaking, and Crazy Samurai Musashi aims to push it a little further. The film tells the story of a Samurai, Musashi, as he faces off against 588 opponents in a single 77-minute take.

And that’s pretty much the entire movie, for better or worse. Technically, it is one of the most impressive films I have seen all year, but the 77-minute scene is actually just exhausting, and not just for lead actor Tak Sakaguchi.

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Fantasia Review: ‘Special Actors’ is a wacky good time

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Imagine being an aspiring actor and suffering an anxiety affliction so severe that you collapse every time you are nervous or confronted. This is the plight of Kazuto (Kazuto Osawa) in Special Actors, the new film by Shinichiro Ueda.

Of course, that’s not the movie’s plot, and honestly, I am loathed to tell you much about the story. It involves a talent agency specialising in hiring actors out to real-life events, a family-owned inn, and a cult. That’s pretty much all I can tell you without taking an express train to spoiler country, but to say this movie gets a little wacky would be an understatement.

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Fantasia Review: ‘Feels Good, Man’ asks if Pepe the Frog will ever be good again

Feels Good, Man (L)

Imagine for a moment that you have created something. Something good, something pure, something that draws influence from your own life and childhood. Now imagine that thing being taken from you and co-opted as a symbol of hate. That is precisely what happened to Matt Furie, creator of the now infamously well-known Pepe the Frog.

Director Arthur Jones’s documentary, Feels Good Man surveys the character’s history from creation to where he stands now and asks if Furie can ever reclaim his creation.

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Fantasia Review: ‘The Reckoning’ is a disappointment

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There might not be another movie with so timely a premise: a witch hunt during a plague. In these times of our society starting to address how we treat women and, you know, a plague, The Reckoning has a lot going for it right out of the gate.

Add to this writer and director Neil Marshall, a man with a history of putting out high-grade B-movies, and suddenly, you have a compelling sales pitch for a film.

I’m pointing all of this out because The Reckoning is a stunning example of a film with everything going for it but fails to capitalize on any of it.

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Fantasia Review: ‘Clapboard Jungle’ takes a personal journey through the indie film business

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There’s a romantic image of the indie film scene, of scrappy filmmakers bringing their artistic vision to the screen for the masses to enjoy and breaking all the rules to do so. That image isn’t inaccurate so much as it is only the fun parts. The whole picture includes long days, hard work, and lots of schmoozing and glad-handing.

Justin McConnell has been working within the indie film business in Canada for most of his life and has had some successes and setbacks. Over the course of five years, he documented his journey through the business, revealing just how hard it can be to get to your breakout moment.

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Heads up: Fantasia Festival 2020 is coming!

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Let’s face it: big crowds of people all in one place aren’t going to be a good idea for a while. The coronavirus has changed the way we go to the movies and it has changed the way we go to festivals.

One bright spot, if there is one at all, is that festivals going online means that they’re easier to attend. Case in point, this year I’ll be covering Fantasia Festival, Montreal’s annual festival of genre films.

There are a ton of great films on the program this year, and I am excited to start watching. There will also be some cool special events. John Carpenter will be given a lifetime achievement award, for example, and Mike Flannigan (writer-director of Doctor Sleep, and Netflix The Haunting of Hill House) giving a talk on adapting books to screen.

There’s a lot to look forward to, and with the entire festival being online this year it will be available to people across Canada.

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Look for coverage to begin at the start of the festival, on August 20th.