Every relationship has that point where you are so comfortable that you become uncomfortable. In these moments we can either behave rationally, or we can freak out, or we can do anything in between.
With On The Rocks, Sophia Coppola tells a story about a successful Manhattan couple who have reached this point, where despite all their success and comfort, something doesn’t feel quite right. Rashida Jones plays Laura, a successful author and mother of two who is stuck in this rut but. She begins to think there is more going on when her husband Dean (Marlon Wayans) stumbles home from a work trip one night and begins a passionate embrace, only to then seem like maybe she was someone else.
Her suspicions are not without cause, her father Felix (Bill Murray) cheated on her mother and in later life has become a serial philanderer. Laura can’t help wondering if every man is like her father. Felix assumes that every man is exactly like him, and so the adventure begins.
There’s a new Ghostbusters movie incoming, one that fills the boots of the titular paranormal exterminators with female ankles and has Bridesmaids and Spy director Paul Feig using his comedy experience to bring it all together. None of this is a problem, of course – anyone who declares that a female-led Ghostbusters won’t work is an idiot – but there could be a tonal issue with the reboot’s approach. The first cast picture from set shows Melissa McCarthy, Kristen Wiig, Kate McKinnon and Leslie Jones in uniform, lined up, looking bored.
One of the most fun parts of twitter is getting to see the pictures the actors take of what goes on behind the scenes. In addition to Nick Holmes’ photo of the great makeup job on Guardians of the Galaxy here’s some of what you may have missed this week…
Wes Anderson is a film maker with a distinct voice. He tells stories with emotional cores and often tells them using characters that don’t always seen to want to, or even know how to, express those emotions and sets them in a world that is just over the border into absurdity and littered with all kinds of fine detail, interesting colour palettes, and now stop motion.
Basically he crafts a whimsical world and then populates it with non-whimsical people.
In any event, The Grand Budapest Hotel may be his best film yet by virtue of the fact that it’s probably the most Wes-Anderson-y film he’s made to date, but in the best way possible.
It’s strange to think that Ghostbusters was released 30 years ago, let alone that one of the key players in the film both in front of and behind the camera is no longer with us. The film is one of the seminal works of the 80s and of the childhoods of basically everyone I know. Esquire Magazine has put together an oral history of the movie and it’s most definitely worth reading.
Wes Anderson makes a certain flavour of film. I like to call it “Wes Andersony” because he’s the only guy that makes that particular flavour. The Grand Budapest Hotel appears to be the most Wes Andersony film yet. Let’s watch!
During World War II Europe was devastated and much of its history was in danger of being lost, destroyed at the hands of the Nazis. The Monuments, Fine Arts and Archives Program was an allied effort to save culturally important items before the Nazis could do that. George Clooney has directed a movie about that effort which looks pretty good. Let’s watch the trailer!