Greetings programs! This week on the show, we dive head first into two…. well, two not-great films. First up is the Adam Driver Fights Dinosaurs sci-fi actioner 65. Then we look at the new Chris Evans & Ana de Armas action rom-com Ghosted.
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Greetings programs! This week on the podcast, we are looking at the divisive new Marilyn Monroe movie Blonde, starring Ana de Armas as the titular blonde bombshell, before moving on to the latest entry in the Star Wars franchise, Andor. We spend half the episode swooning over one of these; listen to find out which!
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Greetings programs! This week on the podcast we’re talking about BJ Novak’s feature directorial debut Vengeance, and the Russo Brothers helmed $200 action blockbuster The Gray Man, starring Chris Evans and Canada’s Ryan Gosling.
There are streaming links powered by JustWatch a little further down this page, and the episode should be live wherever you listen to podcasts (including on this page) now.
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Salutations applications and welcome to a new episode of the Awesome Friday Podcast! This week we’re taking a closer look at two new films: First, director Adrian Lyne’s new film Deep Water starring Ben Affleck and Ana de Armas, recently released on Amazon Prime here in Canada and Hulu in the US, followed by Richard Linklater’s latest animated nostalgia piece, Apollo 10 1/2: A Space Age Childhood.
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Greetings programs! This week on the Awesome Friday Movie Podcast, we’re taking on the new Netflix vampire thriller Night Teeth and the 25th entry in the James Bond franchise, No Time To Die.
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It is the end of an era. No Time To Die, the 25th entry in the James Bond franchise and the last to feature Daniel Craig as the titular superspy, is finally here after several pandemic related delays. It has been a long time coming; in fact, this has been one of the most prolonged periods without a Jame Bond film since the franchise began back in 1962. The question then becomes, “Is this film worth the wait?” and the answer to that is a resounding “yes.”
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The original _Blade Runner_ is held up by many as the gold standard of dystopian existential science fiction films. It asks questions about the nature of humanity and what it means to truly live while at the same time painting a picture of a world that seems to have broken under the weight of more people being alive than ever before. It’s an acknowledged masterpiece –even if it took a decade or two and two different directors cuts to get to that status– and that’s a lot to live up to.
And I’m here to tell you that it does. I’m also here to tell you that you should probably go into it as cold as possible, so maybe bookmark this and come back to it after you’ve seen the film to see if you agree with me. I’m not going to say any major spoilers but regardless, this is your warning.
Continue reading “Review: ‘Blade Runner 2049’ is as good as the original.”