This is a movie that should be right up my alley. It has an acclaimed comedic writer/director known for films that strike exactly the tone that taking on a difficult subject like the Nazis is suited for, with an all-star cast and a premise just out there enough to maybe sneak in some real lessons without the audience knowing.
And it almost works. That’s not to say that Jojo Rabbit is a bad film. It’s actually a fine film. It has more than a few big laughs and a couple of great performances, but it never quite gels into something more.
Continue reading “Review: ‘Jojo Rabbit’ is charming, but muddled satire”
James Camerons 1984 film _The Terminator_ and 1991 follow up _Terminator 2: Judgement Day_ are both stone-cold classics. It’s not surprising that Hollywood has been making sequels in this franchise for the last two decades. It is surprising that most of them are …. we’ll say “of varying quality.”
Where those have failed, Terminator: Dark Fate actually kind of succeeds. It takes familiar elements from the original two, remixes them with some social commentary, and brings in all the legacy characters to pass the torch to a whole new cast.
Imagine The Force Awakens but for Terminator.
Continue reading “Review: ‘Terminator: Dark Fate’ is totally fine”
How do you make a sequel to a classic? It’s a difficult thing, the balance between paying homage to what came before and forging something new is a difficult one. An inch too far in either direction and you risk the ire of someone, either the fan who wants something new or the fan who really just wants the same thing all over again.
Doctor Sleep makes the question even more difficult. The film The Shining is, to reuse the word, a stone-cold classic. Adapted from Stephen Kings novel of the same name it takes many liberties with the story, so much so that King himself famously did not like it. King wrote the novel Doctor Sleep 36 years later as a sequel to his own work. So the question is how do you adapt a novel that serves as a sequel to a classic book and film which each has distinctly different arcs and in particular endings?
The answer is, of course, with great care, which is exactly what director Mike Flanagan has done.
Continue reading “Review: ‘Doctor Sleep’ shines in more ways than one”