Skyfall

The Next James Bond Movie Is SPECTRE

Posted by Simon on December 04, 2014
News / Comments Off on The Next James Bond Movie Is SPECTRE

Spectre

Earlier this morning, director Sam Mendes pulled the sheet off the latest entry in the James Bond franchise – Spectre – and the Internet exploded in a flurry of Sean Connery  jokes. Daniel Craig is back as the titular agent and the rest of the revealed cast is a great collection of beauty and danger.

Schplendid.

Continue reading…

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Awesome: Muppets Most Wanted Posters Parody James Bond, Face/Off, and Tinker Tailor.

Posted by Matthew on March 08, 2014
Posters / Comments Off on Awesome: Muppets Most Wanted Posters Parody James Bond, Face/Off, and Tinker Tailor.

Muppets Most Wanted

I haven’t blogged any of the Muppets Most Wanted trailers yet because, well, it doesn’t really look good to me and I don’t think I wanted to admit that to myself because I love the muppets. However, these new posters are awesome so let’s check them out.

Continue reading…

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Awesome: Sam Mendes Returning for Bond 24

Posted by Matthew on July 11, 2013
News / Comments Off on Awesome: Sam Mendes Returning for Bond 24

skyfall

There was some doubt, but he’s now locked to return.

Continue reading…

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Awesome: Kees van Dijkhuizen jr’s 50 Years of Bond

Posted by Matthew on February 27, 2013
News / Comments Off on Awesome: Kees van Dijkhuizen jr’s 50 Years of Bond

skyfall

Kees van Dijkhuizen jr is the guy behind such amazing zupercuts as the “[the films of] series –in which the tone and style of a director is explored in each video– and the [cinema] series –in which the years worth of movies are cut together in retrospect.

Now his attentions are turned to Bond, and this might be my favourite of his work to date.

Amazing, right? van Dijkhulzen is rather adept at picking his clips to capture the essence of a film/series/etc, and he’s done pretty masterfully here.

Here’s his write up:

When it comes to cultural icons, James Bond is one of the biggest and most influential. These past 50 years we’ve been able to experience 007s finest adventures on the big screen, including last year with the excellent SKYFALL which shattered box office records. This piece, set to Adele’s ‘Skyfall’, revisits Bond’s adventures, from Dr. No to Skyfall, taking you through the various eras of the Bond legacy. Get those Martinis ready!

This is in no way a full retrospective of the Bond films, the only way to truly live 007’s adventures is by seeing them yourself. And what better way to do that than with the Bond 50 Collection on Blu-ray! Each film has been restored to its former glory with pristine picture quality. They really outdid themselves with the 4K restoration process and so every frame of footage used in this video is straight from the source, maintaining the best possible quality from edit to upload.

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85th Annual Academy Awards Live Blog and Results

Posted by Matthew on February 24, 2013
Live Blog / 1 Comment

85th Academy Awards

Howdy folks. Watch here for all our thoughts on the Oscars tonight! Newest updates at the top, and I’ll update with a winners list as we go.

Winners

  • Christoph Waltz for Best Supporting Actor
  • Paperman for Best Animated Short
  • Brave for Best Animated Feature
  • Claudio Miranda for Life of Pie for Best Cinematography
  • Life of Pi for Best Visual Effects
  • Anna Karenina for Best Costume Design
  • Les Miserables for Best Makeup
  • Curfew for Best Live Action Short
  • Inocente for Best Documentary Short
  • Searching for Sugarman for Best Documentary Feature.
  • Amour for Best Foreign Language Film
  • Les Miserables for Best Sound Mixing
  • Zero Dark Thirty and Skyfall tie for Best Sound Editing.
  • Anne Hathaway for Best Supporting Actress
  • Argo for Best Film Editing
  • Lincoln for Best Production Design
  • Life of Pi for Best Original Score
  • Skyfall for Best Original Song
  • Chris Terrio for Argo for Best Adapted Screenplay
  • Quentin Tarantino for Django Unchained for Best Original Screenplay
  • Ang Lee for Best Director
  • Jennifer Lawrence for Best Actress
  • Daniel Day Lewis for Best Actor
  • Argo for Best Picture

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Screen Actors Guild Award Winners and Reactions

Posted by Matthew on January 29, 2013
Editorial / Comments Off on Screen Actors Guild Award Winners and Reactions

Screen Actors Guild Awards

The 19th annual Screen Actors Guild Awards were this past weekend. I know I’m a few days late but here’s a quick roundup of the winners for movies and some thoughts to go with them.

Note: I’m not going to talk about the TV awards, but the coles notes version is this: Hooray for Kevin Costner, Bryan Cranston and Alec Baldwin.

Winners shown in bold a the top of each list.
You can read the full list of winners here.

Screen Actors Guild 49th Annual Life Achievement Award

  • Dick Van Dyke

I grew up watching Dick Van Dyke movies my parents had recorded off the television so this makes me smile.

Outstanding Performance by a Male Actor in a Leading Role

  • Daniel Day-Lewis – Lincoln as Abraham Lincoln
  • Bradley Cooper – Silver Linings Playbook as Pat Solitano
  • John Hawkes – The Sessions as Mark O’Brien
  • Hugh Jackman – Les Misérables as Jean Valjean
  • Denzel Washington – Flight as Whip Whitaker

This isn’t a surprise to me in the slightest. Say what you will about Lincoln but Daniel Day-Lewis was amazing playing the man. At this point I’d be surprised if he doesn’t win the Oscar.

It’s nice to see John Hawkes get the nod for The Sessions as well.

Outstanding Performance by a Female Actor in a Leading Role

  • Jennifer Lawrence – Silver Linings Playbook as Tiffany Maxwell
  • Jessica Chastain – Zero Dark Thirty as Maya
  • Marion Cotillard – Rust and Bone as Stéphanie
  • Helen Mirren – Hitchcock as Alma Reville
  • Naomi Watts – The Impossible as Maria Bennett

At this point Jennifer Lawrence has won the Golden Globe and the SAG award for playing Tiffany Maxwell. The Oscar is now hers to lose if it wasn’t already and I think that’s how it’s going to go. I’d love to see Jessica Chastain win because I preferred Zero Dark Thirty to Silver Linings Playbook and I think that Maya was a far more complex character to play, but Tiffany is exactly the kind of quirky, loveable, bird with a broken wing but still independent and strong, feel good, cliche character that people love.

That’s not to say Lawrence isn’t an amazing actress or that she wasn’t amazing in the film, because she was and this is one of those parts designed to win Oscars.

Outstanding Performance by a Male Actor in a Supporting Role

  • Tommy Lee Jones – Lincoln as Thaddeus Stevens
  • Alan Arkin – Argo as Lester Siegel
  • Javier Bardem – Skyfall as Raoul Silva
  • Robert De Niro – Silver Linings Playbook as Pat Solitano Sr.
  • Philip Seymour Hoffman – The Master as Lancaster Dodd

Nice to see Tommy Lee Jones take home the trophy. Also cool to see Javier Bardem get the nod for his roll in Skyfall. He was brilliant as Silva and thats not the type of roll that usually gets recognized.

This is going to make the Oscar race in this category a little more interesting. Alan Arkin already took home the Golden Globe and everyone who’s nominated (swap out Javier Bardem for Christoph Waltz and its the same list) had already won to this one is anyone’s game.

Outstanding Performance by a Female Actor in a Supporting Role

  • Anne Hathaway – Les Misérables as Fantine
  • Sally Field – Lincoln as Mary Todd Lincoln
  • Helen Hunt – The Sessions as Cheryl Cohen-Greene
  • Nicole Kidman – The Paperboy as Charlotte Bless
  • Maggie Smith – The Best Exotic Marigold Hotel as Muriel Donnelly

No surprises here. Anne Hathaway has already taken home all the awards for this role. If she doesn’t win all the awards that are left I will be incredibly surprised.

Outstanding Performance by a Cast in a Motion Picture

  • Argo – Ben Affleck, Alan Arkin, Kerry Bishé, Kyle Chandler, Rory Cochrane, Bryan Cranston, Christopher Denham, Tate Donovan, Clea DuVall, Victor Garber, John Goodman, Scoot McNairy, and Chris Messina
  • The Best Exotic Marigold Hotel – Judi Dench, Celia Imrie, Bill Nighy, Dev Patel, Ronald Pickup, Maggie Smith, Tom Wilkinson, and Penelope Wilton
  • Les Misérables – Isabelle Allen, Samantha Barks, Sacha Baron Cohen, Helena Bonham Carter, Russell Crowe, Anne Hathaway, Daniel Huttlestone, Hugh Jackman, Eddie Redmayne, Amanda Seyfried, Aaron Tveit, Colm Wilkinson
  • Lincoln – Daniel Day-Lewis, Sally Field, Joseph Gordon-Levitt, Hal Holbrook, Tommy Lee Jones, James Spader, David Strathairn
  • Silver Linings Playbook – Bradley Cooper, Robert De Niro, Anupam Kher, Jennifer Lawrence, Chris Tucker, Jacki Weaver

In a year where Lincoln, a timely political story about America’s most beloved president came out I didn’t see this happening but Argo has now won the Golden Globe and the SAG Award for best picture.

It’s well deserved. It’s a brilliantly crafted film from start to finish and I’m glad to see it getting all the recognition it deserves.

It’ll be interesting next month to see if it takes home the Oscar as well, since Ben Affleck isn’t nominated for best director. That might end up being this years big “wtf” moment.

Conclusions

Awards Season this year has been interesting so far. The films I thought would be a lock haven’t been winning and the ones I thought were entirely deserving but would get passed over have. The ladies categories are pretty much locked in for the Oscars at this point I assume, but the gentlemen’s categories as well as the best picture and director categories are up in the air as far as I can tell.

I like the SAG awards as well because you get films like Skyfall, which is a great film and completely overlooked by the Oscars and the Golden Globes, getting recognition from their peers. Make no mistake Skyfall was one of last years must-see movies but it’s no surprise that it’s only up for technical Oscars.

Make all the jokes you want about millionaires giving each other statues, but I enjoy watching great films win accolades (and Simon and I will be live blogging The Oscars on 24th Feb. while they air).

What are your guys thoughts on the matter? Do you agree with the wins here? How do you think the Oscars are going to play out?

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Simon’s Best of 2012

Posted by Simon on December 31, 2012
Editorial / 3 Comments

Best film – Looper

There’s so much to like about my film of 2012. Great script, stellar cast, strong direction from a relative newcomer…but Looper‘s best trick was what it didn’t tell you. The trailer would have you believe that you’re going to be watching a time travel action movie, young self hunting old in an indie twist on Terminator. What you actually got was a slow-burner that certainly had these elements in the background, but was really an exploration of family loyalty, the consequence of action, and how love can mutate and save at the same time. It gave us a further element to the age-old nerd dilemma: kill or spare young Hitler? Looper dares to suggest an alternative – change him, before it’s too late? It’s really something special, and the final message that Love Is The Answer resonated deeply over the weeks that followed the closing credits.

Also, it blatantly sidesteps the inevitable discussions on the holes in its time travel: Bruce Willis tells us directly that it just doesn’t matter. Deal with it. Watch the damn movie.

Honourable mentions:

Ghost Rider 2 – Really, one of the most enjoyable cinema experiences I’ve ever had. Take away the need to “act”, let Nic Cage be crazy and mo-cap the shit out of him, use the Crank directors, combine for great success.

Avengers – Awesome superhero ensemble party with Whedon serving fine cocktails. High art? Nope. Amazing, enjoyable, thrilling and genuinely funny? Yep. In spades.

Skyfall – Not just a great Bond film, but a fantastic action thriller that will hopefully act as a blueprint for the future of the franchise.

 

Best Game – Super Hexagon – iPhone

What’s the meaning of life?

Sorry, let me backtrack a little and give you some context. Super Hexagon has a simple premise: don’t die. Walls of death approach and all you can do is rotate your tiny triangle around a central hexagonal spoke. Inch through the space, repeat. Score is time. One touch is death, game over. Press to restart. Over and over and over again. Time slows and seconds become milestones. First twenty, thirty, forty. Sliding forward, each instant restart a chance to improve and slice away at your best score. Last a minute, and the game tells you you’re wonderful. You feel it too, with a sense of elation that is unmatched by many other “deep” games. And that’s just the first level – knowingly labeled “Hard” – before you fling yourself further down the rabbit hole in comparative, superlative and Hyper versions.

How can something so simple – an iPhone version of a Flash game, for God’s sake – leave such a lasting impression on so many gamers? I think it’s the purity. There’s absolutely zero fluff or filler in the design. Story, character, Freemium DLC (spit) – all eschewed in favour of a single beating heart. It reminds me of the hours I spent playing the version of Geometry Wars Waves buried in Project Gotham Racing 4 (if you haven’t tried it, I recommend throwing five bucks on a used copy and heading straight to the arcade cabinet in your garage). It’s almost like it contains the very root of everything I love about gaming, distilled and concentrated in one single action.

But, then, it goes even a little further. It feels like its trying to tell you something about yourself, about life. The desperation to stay alive, the fact that you have to read the situation, make your decision, move and live by the consequences. You can never go back. Indecision is the enemy and leads to failure. Read, move, act with instinct and trust that deep, deep voice inside.

There have been a few times where I’ve looked at the encroaching walls and my brain has given up. You can’t do it, it says. That’s it. Game over. Then I watch passively as my fingers take over and lead me through the gaps with millimetre precision. Maybe that’s why the iPhone version is actually my favourite – the timing windows for the gaps are buried somewhere very deep in my nerve endings. It’s also with me all the time, and is the perfect distraction for the occasional spare two minutes between being an effective teacher and responsible parent. I play it and the world shrinks away for ninety seconds, the music vibrates my fingers, my heart pulses in time with the screen.

What’s the meaning of life? Who knows. But for me, this year, it’s been Super Hexagon; keep moving, trust your instincts, make your decision, and go. You can never go back.

Honourable mentions:

Journey – PS3 – Beautiful, moving and meaningful. So rare to get this from a game these days.

FTL – Mac – Just getting into this, but it’s already worming its way into my thoughts. It’s certainly made me consider doors as a higher priority.

 

Biggest disappointment (game or movie) – The Dark Knight Rises

I’m sure Matt’s chosen the same. You only need to listen again to our podcast to hear the abject disappointment hanging on every groaned syllable. His analysis will no doubt act as a highly-detailed magnifying glass over one of the year’s biggest films, but let me be the blunt hammer to his scalpel. The Dark Knight Rises ultimately does the unforgivable – simply put, it is just A Very Bad Movie.

Not a rarity, not this year or any year, but let me tell you why this badness is especial:

This is a Christopher Nolan movie

Inception has spoiled me. It’s practically ruined anything remotely in a similar genre. The last film that had that effect on me was Fight Club, especially as I was then a student of filmmaking who, right up to that point, arrogantly thought I could improve on anything with my unsurpassed dynamic vision and seemingly limitless talent. Fight Club left me physically shaking in a taxi, wondering how the hell I could ever be that good. Inception did the wondrous thing of telling a story that could only have been told in that medium, by that director. Insomnia, Momento, The Prestige; all additional rock-solid signs that Nolan utterly understands the silken weave between pace, time, story, setting and character. How could all this vision, this experience, result in something as wooden and splintered as Rises?

The Dark Knight exists

Batman Begins sowed the seeds of new Batman, moving away from Schumacher day-glo pyrotechnics to a version more grounded in the real. TDK then took this formula and dared to cast some young actor from A Knight’s Tale to continue Jack Nicholson’s Joker legacy. Do you remember the furore surrounding Health Ledger’s casting? I’m sure I even contributed to it. All the whining stopped immediately when the second film finally released. But was it just Ledger holding it together? No. Nolan’s a director who can bring out the best from all his actors (a reaction by Al Pacino in Insomnia is still the greatest piece of acting I’ve ever seen on film) so Ledger’s star turn is not a singular lynchpin. The script, slow and steady and full of malice. The characters, so well-rounded and interesting. The movie fit together as an intricate Chinese puzzle box. You left the theatre feeling like you’ve been exposed to what happens when the best are allowed to work together.

Conversely, DKR felt like I’d just read the readers’ questions section in Cosmopolitan.

The story is bad

I’m not going to list all the problems with this script and plotline (pro tip: Google them), but suffice to say they have more holes than an infinite golf course.

 

Disappointment is an understatement, then. An altogether dreary and unsatisfying ending to one of the most invigorating superhero reboots in cinema history.

Honourable mentions:

Cabin In The Woods – Great premise, wonderful execution, terrible ending that negated the actions of the previous fifty minutes. Shame.

Promethius – Went in with low expectations, found the end result to be even lower. Very beautiful but ruined by a terrible script with some of the worst space scientists I’ve ever seen.

Halo 4Halo is all about story for me. Note to 343 Industries -“story” does not mean “go here, do this set of three things, repeat”.

 

Top 3 I haven’t seen/played:

Cloud Atlas – I’m reading the book at the moment – and it’s entirely wonderful – so I’ve delayed watching the movie as I don’t want my imagination forced to picture Halle Berry instead of my own Luisa Rey. Really curious to see how on earth anyone could ever think they could make a movie of this book. Adored Run, Lola, Run, so it’ll be a visual feast if nothing else.

Smashed – I’ve been saying for a long time that Mary Elizabeth Winstead is one of the best young actors working at the moment, and this seems to the film that finally supports this claim. It only had a limited run here, so looking forward to catching it before the Oscars so I can throw some support behind it.

Tokyo Jungle – The PSN title that lets you play as a Pomeranian, trying to survive post-human Tokyo amidst hyenas and lions. It sounds like an utterly unique gaming experience that could only have emerged from Japan.

 

 

Happy New Year!

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Skyfall – Our Two Reviews

Posted by Simon on November 14, 2012
Movies, Review / 1 Comment

Skyfall

We both saw Skyfall this weekend and felt compelled to write individual reviews. We each have a lot more to say about this film so look for the next episode of the podcast for more in depth (and spoilery) discussion. For now, here are both of our reviews in their entirety.

Premium Bond: Simon’s Review

You’ve got to feel a little sorry for Timothy Dalton.

1987’s The Living Daylights and 1989’s Licence To Kill saw him take over as iconic agent James Bond, rescuing the series from the latter campy efforts headed by Roger Moore. Dalton’s Bond was clearly a shift back towards the original spy of Fleming’s books, with serious realism creeping in and Dalton’s scowl replacing Moore’s insinuative eyebrow. They made money, for sure, but the latter was especially lambasted for being too serious in tone, too distant from the series’ preference for lightweight gadget fodder. The lengthy legal battle between MGM and Eon effectively killed his planned third outing, and the Bond reigns finally fell into the eager hands of Pierce Brosnan. I remember very clearly watching Dalton’s Bonds and really enjoying how the series’ new tone matched my own growing maturity. For that reason, he’s my favourite Bond. At least, he was – until Skyfall.

The first thing to note is that the story in Skyfall is actually compelling, interesting and twisty instead of being a mere backdrop for invisible cars and Playboy-level nuclear physicists. In a nutshell, a breathless pre-credits train-top chase leads Bond in pursuit of a lunatic villain – a character Javier Bardam savours so much in his portrayal – while using near-death as a catalyst for self-examination. All the main characters have skeletons in their cupboards, some more psychopathic than others. The aging cast is this time used front and centre as a reminder to us all that our bodies don’t always follow the vigor of the mind, and that sadness only turns into bitterness if stretched over decades. The chase unfolds in Istanbul, Macau and good old Blighty, the latter not filmed this beautifully in a long time.

Daniel Craig’s Bond resonated from the off in Casino Royale, finding an audience for his mix of seriousness and broken humanity. Craig lets us in on the journey from one point to the next, until we finally see that the assumed Bond “character” is as much a weapon as his fists or guns. It’s a clever, intelligent portrayal that’s subtle enough to not drift into melancholy. Craig’s casting was initially a hard sell, but it has proven to be a fine decision.

Skyfall sees Bond at his most resourceful and competent. The unfortunate side of both Casino Royale and the far weaker Quantum of Solace was that, as partial reboots, they really wanted to show you how Bond became this remorseless killer, a murderer for money. It took time for the character to settle into its rhythms, not helped by Quantum’s uninteresting story, but Skyfall doesn’t inherit any of these drawbacks. Here, Craig shows us Bond as a true agent, fielding ingenuity against bullets, never giving up even when the odds are stacked against him.

The other cast members are also steller. Judi Dench owns M more than ever, the extremely watchable Ralph Fiennes has great presence and even Ben Whishaw, as a new Q straight out of college, holds his own. The only downside is that the whole “Bond girl” aspect has been extremely downplayed. There’s a nice development involving Naomie Harris, but poor Bérénice Marlohe barely gets any time to shine. Flouting the girls around as Bond’s sexual conquests was certainly old-fashioned, but it did add a certain element to the Bond formula.

What a formula, though, and it’s crystal clear that director Sam Mendes absolutely understands it. From the thrilling car chase through Istanbul, a couple of stunning long takes (for both talking and fighting), through to a precisely staged finale in Scotland, every shot glows with style and confidence. There’s undeniable evidence that his experience with actors has brought out some career bests, especially the way Bardam exquisitely times the speech pattern of his bitter antagonist. Mendes also gives us time to wind down between set pieces. So many films get this wrong and hurtle along without any idea of calm before the storm. The script, too, has just the right mix of flavourful language with enough fan references to keep Bond purists happy for the next year.

It all builds to an amazing cresendo and positions itself as a solid base for the Bond films to come, even staging a final daring mini-reboot in many ways. It all seems so assured, so confident and rewarding; it’s hard to feel anything other than tingling anticipatory excitement when the closing credits gleefully announce JAMES BOND WILL RETURN. Just like it used to be, as it should be.

In Skyfall, we have the best Bond in years and a thrilling continuation of Craig’s interpretation. Actually, it’s not just one of the best Bond movies, it’s one of the best action dramas for a long time, with a main character that shows us how the reality of life should never have to keep us down for long. Timothy Dalton, my second favorite Bond, will be duly satisfied.

Bonding Experience: Matt’s Review

I am going to get this out of the way right now: Skyfall is a great film. Not just a great bond film, but a great film. It’s full of thrilling chases, great fights, and above all a solid story and superb cast to tell it.

Skyfall starts out like any great Bond film should, with a thrilling chase through a beautiful city using a multitude of vehicles. This, as with latter chases and action sequences are shot beautifully. The pacing is spot on, the camera works is amazing (thank the good sweet lord for the lack of Bourne style shakey cam) and the tension feels real. This is edge of your seat stuff! This leads into the classic Bond opening, and Adele’s “Skyfall” is a gorgeous song.

This opening sets up the basic plot of a list that shouldn’t exist falling into the wrong hands. You’ve seen this in the trailers, James Bond is back and he’s slightly worse for wear. It’s not often that Bond has been portrayed with a weakness but this weakness and vulnerability allows the character to grow in ways that The World Is Not Enough failed to really explore.

Many were unsure of Daniel Craig as Bond when he was first cast. Blond haired and blue eyed he didn’t fit the physical profile, and in both Casino Royale and Quantum of Solace his Bond was a harder man. None of the gaget tomfoolery or the casual feel that none of the previous actors except Timothy Dalton had brought to the part. He had his quips, but most of them were played with a cold and cynical attitude. This certainly wasn’t your father’s James Bond. While I loved those movies, yes even Quantum of Solace, I sometimes felt that the films and Craig had gone too far in this direction. I’m happy to report that Skyfall has found the balance between old school casual Bond and new school gritty, real, cynical Bond, and that that is a wonderful thing.

Judi Dench is back as M and she is delightful as the tough as nails head of MI6. If she wasn’t before, She’s certainly my favourite Bond girl now. Her portrayal is skilled and nuanced and the character is more in the forefront as the bad guy, played brillianty by Javier Bardem, is out not just to get Bond but M as well. You’ve seen tidbits of Javier Bardem’s first scene in the trailer and while I don’t want to spoil anything suffice to say that the only thing that I might like better than him as Silva fighting Bond would be Anton Chigurth fighting Bond.

Ralph Fiennes and Ben Whishaw join the cast as a government official and Q respectively. Both are extremely capable actors and more than hold their own. Fiennes is basically always good, and I’m continually impressed with Ben Whishaw’s ability to throw himself into a part.

Where the film might be lacking is Bond girls. You might think the concept outdated or even sexist but it’s still an important part of the now 50 year old formula. That’s not to say that there aren’t Bond girls, just that neither Naomi Harris nor Bérénice Marlohe get as much develpment as they could, Marlohe especially. Harris does have a subplot unto her own, and her young fresh-into-the-but-unsure-if-she’s=ready-for=the-field agent plays well againts Craig’s unsure-if-he’s-still-good-enough-for-the-field Bond.

For those of you who felt that Casino Royale and Quantum of Solace left too much of the Bond formula out, suffice to say or points are back. As with Craig’s Bond finding the balance between old school and new, the film itself works all of these elements with the same even handedness. Q is back yes, but there’s no car that turns into a submarine or scene where Q delivers a gadget that would only really be useful in a specfic situation he couldn’t possibly predict (which Bond inevitably ends up in).

And that;s what makes the film great. Balance. A balance of ideas from the old school of Bond with the new school of Bond storytelling rooted in a world that’s more grounded in reality. Sam Mendes has done a brilliant job bringing this world to the screen and making sure that Craig, Dench and Bardem all play their characters with complexity and layers, never straying too far into anger, sadness or mania as they each deal with their pasts. He also proves himself one of the best action directors currently working today, a slightly strange thought when you consider this is the guy who usually brings us more thoughtful character pieces like American Beauty, Jarhead and Away We Go. The script is brilliant, providing just enough fan service to put a smile on your face but not so much that it falls into the trap of camp so many other Bond films have.

Skyfall is really the third part of a loose trilogy. It starts witht he cocky new agent in Casino Royale who ends up letting his guard down and getting betrayed, continues with him reeling and recovering from this betrayal and heartbreak in Quantum of Solace, and finally coming into his own by the end of Skyfall. I won’t spoil the end, but what I will say is that Skyfall brings Bond full circle and provides a solid foundation upon which the franchise can move forward will a fully formed Bond in a fully formed world. As the credits roll the statement “JAMES BOND WILL RETURN” is on screen as it always used to be, and I couldn’t be more excited for when he does.

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